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Dactylic hexameter (also known as heroic hexameter and the meter of epic) is a form of meter or rhythmic scheme frequently used in Ancient Greek and Latin poetry. The scheme of the hexameter is usually as follows (writing – for a long syllable, u for a short, and u u for a position that may be a long or two shorts):
The term describes the rhythm, or meter, established by the words in each line. Rhythm is measured in small groups of syllables called "feet". "Iambic" indicates that the type of foot used is the iamb, which in English is an unstressed syllable followed by a stressed syllable (as in a-BOVE). "Pentameter" indicates that each line has five "feet".
The Iambic trimeter, in classical Greek and Latin poetry, is a meter of poetry consisting of three iambic metra (each of two feet) per line. In English poetry, it refers to a meter with three iambic feet. In ancient Greek poetry and Latin poetry, an iambic trimeter is a quantitative meter, in which a line consists of three iambic metra.
The following first verse from "The Raven" shows the use of trochaic octameter. Note the heavy use of dactyls in the second and fifth line, which help to emphasize the more regular lines, and the use of strong accents to end the second, fourth and fifth lines, reinforcing the rhyme: We can notate the scansion of this as follows: /
Many Bulgarian dances are line dances, with the dancers holding hands in a straight or curved line, facing in toward the center of the dance space.Originally men and women danced in separate lines, or in a gender-segregated line in which the last woman and first man held opposite ends of a handkerchief, to avoid gender contact but today men and women often dance in mixed lines.
Describing and mastering proper dance positions is an important part of dance technique. These dance positions of a single dancer may be further detailed into body, head, arm, hand, leg, and foot positions; also, these positions in a dance couple can additionally take into account connection , the relative orientation of partners, and ...
Eighteenth century Castilian fandango dancers (by Pierre Chasselat) (1753–1814) Fandango rhythm. [1]Fandango is a lively partner dance originating in Portugal and Spain, usually in triple meter, traditionally accompanied by guitars, castanets, tambourine or hand-clapping.
Dajchovo horo (Bulgarian: Дайчово хopo) is a Bulgarian folk dance done to a nine-beat meter. It is unique in two ways: it is a circle dance (most Bulgarian dances are either line or couple dances), and yet it has a leader (most circle dances have no leader). [1]