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In 1920, the jazz age was underway and was indirectly fueled by prohibition of alcohol. [5] In Chicago, the jazz scene was developing rapidly, aided by the immigration of over 40 prominent New Orleans jazzmen to the city, continuous throughout much of the 1920s, including The New Orleans Rhythm Kings who began playing at Friar's Inn. [5]
The Jazz Age was a period in the 1920s and 1930s in which jazz music and dance styles gained worldwide popularity. The Jazz Age's cultural repercussions were primarily felt in the United States, the birthplace of jazz.
“One can plausibly argue that the debate over jazz was just one of many that characterized American social discourse in the 1920s” (Ogren 3). In 1919, jazz was being described to white people as “a music originating about the turn of the twentieth century in New Orleans that featured wind instruments exploiting new timbres and performance techniques and improvisation” (Murchison 97).
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana, in the late 19th and early 20th centuries, with its roots in blues, ragtime, European harmony, African rhythmic rituals, spirituals, hymns, marches, vaudeville song, and dance music. Since the 1920s Jazz Age, it has been recognized as a major ...
In the discussion of Kansas City jazz in the 1920s, Schuller observes that the region was the birthplace of ragtime, an important popular music in the area. Concert bands like John Philip Sousa's were also very popular there. These currents provide a background for understanding the music of Bennie Moten, which gets
Orchestral jazz or symphonic jazz is a form of jazz that developed in New York City in the 1920s. Early innovators of the genre, such as Fletcher Henderson and Duke Ellington , include some of the most highly regarded musicians, composers, and arrangers in all of jazz history. [ 1 ]
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Both Europe and the US had critics of jazz in 1924. While the songwriter and music business executive Arnold Shaw wrote in 1989 that "1924 was a 'hot' year in jazz...", [19] a columnist for The New York Times wrote in 1924 that "Jazz is to real music exactly what most of the 'new poetry,' so-called, is to real poetry. Both are without the ...