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The National Gardens Scheme runs a Daffodil Day every year, allowing visitors to view daffodils in Cumbrian gardens including Dora's Field, which was planted by Wordsworth. [39] In 2013, the event was held in March, when unusually cold weather meant that relatively few of the plants were in flower. [40]
On that track, Hazlewood and Sinatra sound like they don’t inhabit the same universe, let alone the same song. Over loping spaghetti-Western guitar, Hazlewood sings of Greek mythology and “some velvet morning when I’m straight,” while Sinatra coos about flowers and daffodils in a stoned haze against a backdrop of bubblegum psychedelia.
Flower (Gackt song) Flower (GFriend song) Flower (Jisoo song) Flower (Koda Kumi song) Flower (Kylie Minogue song) Flower (L'Arc-en-Ciel song) Flower (Soundgarden song) Flower (Tomiko Van song) Flower Duet; Five Flower Songs; Flowers (Billy Yates song) Flowers (Lauren Spencer-Smith song) Flowers (Miley Cyrus song) Flowers (Sweet Female Attitude ...
The whole album, Songs for Swining Larvae, is inspired by insects. [9] There Ain't No Bugs On Me: Insects-general (Traditional folk song) (Traditional folk song) Unknown: Folk: There is a popular recording of this song by Jerry Garcia and David Grisman on the album, Not for Kids Only. Dog and Butterfly: Lepidoptera: Ann Wilson N/ancy Wilson ...
Marsh Flowers, by George Crabbe; The Evening Primrose, by John Clare; The Ballad of Green Broom, anon. The music is in five movements, which Britten designed to be in that order, with mood-changes in mind. [2] It has been named a song cycle. [6] The duration is given as around 11 minutes. [4] To Daffodils is marked Allegro impetuoso. [2]
The music video for "Sleeps with Butterflies" was directed by Laurent Briet, who has also worked with Radiohead and the Red Hot Chili Peppers.The concepts used by Briet in his music videos are largely influenced by illustrators; his interpretation of the video for "Sleeps with Butterflies" attests to that with the closing shot of the video stating that the video was inspired by the work of Aya ...
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Many sources state the song was the work of Joe Perkin (1809–1868), [3] a choirmaster at Holmfirth in the mid 19th century. [4] A local tradition maintained that Perkin lived at Cliffe near Holmfirth, was a woolsorter by profession, and was paid 2 guineas by the Holmfirth Choral Society for arranging the song.