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The Boy in the Train is a poem written in Scots, by Mary Campbell (Edgar) Smith (1869–1960), [1] first published in 1913. It is featured in many anthologies of Scottish verse, [2] texts related to railway history, [3] [4] [5] and is routinely quoted when discussing linoleum, [6] [7] [8] and the history of the Scottish town Kirkcaldy.
The poem is told from the point of view of an old man who, at some point in his past, had a fantastical experience in which a silver trout he had caught and laid on the floor turned into a "glimmering girl" who called him by his name, then vanished; he became infatuated with her, and remains devoted to finding her again. [1]
Children's literature portal; Falling Up is a 1996 poetry collection primarily for children written and illustrated by Shel Silverstein [1] and published by HarperCollins.It is the third poetry collection published by Silverstein, following Where the Sidewalk Ends (1974) and A Light in the Attic (1981), and the final one to be published during his lifetime, as he died just three years after ...
"She Walks in Beauty" is a short lyrical poem in iambic tetrameter written in 1814 by Lord Byron, and is one of his most famous works. [2] It is said to have been inspired by an event in Byron's life. On 11 June 1814, Byron attended a party in London. Among the guests was Mrs. Anne Beatrix Wilmot, wife of Byron's first cousin, Sir Robert Wilmot ...
“A glooming peace this morning with it brings; / The sun, for sorrow, will not show his head: / Go hence, to have more talk of these sad things; / Some shall be pardon’d, and some punished ...
[2] In the strictest sense of the term, an aubade is a song sung by a departing lover to a sleeping woman. [ 3 ] Aubades are generally conflated with what are strictly called albas , which are exemplified by a dialogue between parting lovers, a refrain with the word alba , and a watchman warning the lovers of the approaching dawn.
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In 1951, the poem was used as the basis for a feature-length Hollywood film of the same name, starring Philip Friend and Wanda Hendrix. [4] Noyes writes in his autobiography that he was pleasantly surprised by "the fact that in this picture, produced in Hollywood, the poem itself is used and followed with the most artistic care". [2]