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See Art periods for a chronological list. This is a list of art movements in alphabetical order. These terms, helpful for curricula or anthologies, evolved over time to group artists who are often loosely related. Some of these movements were defined by the members themselves, while other terms emerged decades or centuries after the periods in ...
Figuration Libre (French pronunciation: [fiɡyʁasjɔ̃ libʁ], Free Figuration) is a French art movement which began in the 1980s. It is the French equivalent of Bad Painting and Neo-expressionism in America and Europe, Junge Wilde in Germany and Transvanguardia in Italy. Artists in the movement typically incorporate elements of comic book art ...
Bariolage is a musical technique used with bowed string instruments that involves rapidly playing alternated notes on adjacent strings, one of which is generally left open, [1] thereby exploiting the different timbres of each string.
An art movement is a tendency or style in art with a specific art philosophy or goal, followed by a group of artists during a specific period of time, (usually a few months, years or decades) or, at least, with the heyday of the movement defined within a number of years.
NO!art is a radical avant-garde anti-art movement started in New York in 1959. Its founders sought to deliver a shock to the complacent consumerist society around them. [1] The movement was initiated by Boris Lurie, Sam Goodman and Stanley Fisher who had come together to organise exhibitions at the March Gallery. They gave the name NO!Art to ...
Futurism was an early 20th-century art movement which encompassed painting, sculpture, poetry, theatre, music, architecture, cinema and gastronomy. Filippo Tommaso Marinetti initiated the movement with his Manifesto of Futurism , published in February 1909.
An art manifesto is a public declaration of the intentions, motives, or views of an artist or artistic movement. Manifestos are a standard feature of the various movements in the modernist avant-garde and are still written today. Art manifestos are sometimes in their rhetoric intended for shock value, to achieve a revolutionary effect.
Tachisme is closely related to Informalism or Art Informel, which, in its 1950s French art-critical context, referred not so much to a sense of "informal art" as "a lack or absence of form itself"–non-formal or un-form-ulated–and not a simple reduction of formality or formalness.