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Both can be written in two strokes, sometimes one for hiragana, and both are phonemically /hi/ although for phonological reasons, the actual pronunciation is ⓘ. The pronunciation of the voiceless palatal fricative [ç] is similar to that of the English word hue [çuː] for some speakers.
This is the pronunciation key for IPA transcriptions of Japanese on Wikipedia. It provides a set of symbols to represent the pronunciation of Japanese in Wikipedia articles, and example words that illustrate the sounds that correspond to them.
Many generalizations about Japanese pronunciation have exceptions if recent loanwords are taken into account. For example, the consonant [p] generally does not occur at the start of native (Yamato) or Chinese-derived (Sino-Japanese) words, but it occurs freely in this position in mimetic and foreign words. [2]
The dakuten (Japanese: 濁点, Japanese pronunciation: [dakɯ̥teꜜɴ] or [dakɯ̥teɴ], lit. "voicing mark"), colloquially ten-ten (点々, "dots"), is a diacritic most often used in the Japanese kana syllabaries to indicate that the consonant of a mora should be pronounced voiced, for instance, on sounds that have undergone rendaku (sequential voicing).
Rendaku (連濁, Japanese pronunciation:, lit. ' sequential voicing ') is a phenomenon affecting the pronunciation of compound words in Japanese.When rendaku occurs, a voiceless consonant (such as /t k s h/) is replaced with a voiced consonant (such as /d ɡ z b/) at the start of the second (or later) part of the compound.
Kunrei-shiki romanization is a slightly modified version of Nihon-shiki which eliminates differences between the kana syllabary and modern pronunciation. For example, the characters づ and ず are pronounced identically in modern Japanese, and thus Kunrei-shiki and Hepburn ignore the difference in kana and represent the sound in the same way (zu).
In Japanese this accent is called 尾高型 odakagata ("tail-high"). If the word does not have an accent, the pitch rises from a low starting point on the first mora or two, and then levels out in the middle of the speaker's range, without ever reaching the high tone of an accented mora. In Japanese this accent is named "flat" (平板式 ...
In Japanese this is an important distinction in pronunciation; for example, compare さか, saka, "hill" with さっか, sakka, "author". However, it cannot be used to double an n – for this purpose, the singular n (ん) is added in front of the syllable, as in みんな (minna, "all").