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Myrtle Grove's South Gable is where Edmund Spenser is reputed to have written part of his poem The Faerie Queene, although some historians question this story. [2] The house was acquired by Richard Boyle, 1st Earl of Cork in 1602 from Sir Walter Raleigh's Irish estate.
Edmund Spenser (/ ˈ s p ɛ n s ər /; born 1552 or 1553; died 13 January O.S. 1599) [2] [3] was an English poet best known for The Faerie Queene, an epic poem and fantastical allegory celebrating the Tudor dynasty and Elizabeth I. He is recognized as one of the premier craftsmen of nascent Modern English verse, and he is considered one of the ...
A portrait of Edmund Spenser. A View of the Present State of Irelande is a 1596 pamphlet by English writer, poet and soldier Edmund Spenser.The text is written in the form of a dialogue between two Englishmen, Eudox and Irenius; the former has never been to Ireland, while the latter has recently returned from the island while it was in the midst of the Tudor conquest.
He granted it, together with 3,028 acres (12.25 km 2) of land, to Edmund Spenser around 1586–1587. [7] He refurbished the castle and lived there for ten years, during which time, he wrote his epic poem The Faerie Queene (published 1590–96), inspired by the Tudor conquest of Ireland and influenced by the wild Munster scenery.
As Lady Derby, Alice was a noted patron of the arts and to whom poet Edmund Spenser represented the character "Amaryllis" in his eclogue Colin Clouts Come Home Againe in 1595 and dedicated his poem The Teares of the Muses in 1591. Georgiana as Cynthia (another name for the goddess Diana) from Spenser's Faerie Queene.
Edmund Spenser's The Faerie Queene, books 1-3 (1590) In the first book, the Redcross knight's origins are rich with multiple meanings: as a national symbol, he is St. George, England's patron saint, and Spenser stresses the humble, agricultural origins of the name George (Georgos is Greek for "farmer"). On a more individualized level, Redcrosse ...
Spenser recognized that the poem was for his own financial and political gains, but it also sets the idea of standing behind one's work. The work was a success; between 1579 and 1597 five editions were published. [6] One thing that separates the poem from others of its time is Spenser's use of allegory and his dependence on the idea of antiquity.
Edmund Spenser, the poet, personified Ferdinando as "Amyntas", and his Countess as "Amaryllis". In 1610, a collection of English poems entitled Belvedere; or the Garden of the Muses was published which included work which may be by Ferdinando, but without his name being attached to it, and the identification remains to a large extent a matter ...