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Alva Erskine Belmont (née Smith; January 17, 1853 – January 26, 1933), known as Alva Vanderbilt from 1875 to 1896, was an American multi-millionaire socialite and women's suffrage activist. She was noted for her energy, intelligence, strong opinions, and willingness to challenge convention.
Consuelo as a child Consuelo as a teenager. Born in New York City, Consuelo was the only daughter and eldest child of William Kissam Vanderbilt, a New York railroad millionaire, and his first wife, Alva Erskine Smith, a Southern belle, budding suffragist, and daughter of Murray Forbes Smith.
The Vanderbilts, as members of socialite New York through the copious amounts of money that the family had earned rather than inherited, represented a type of wealth that was abhorrent to Astor and her group. Lina Astor found railroad money distasteful. [22] For this reason, she was reluctant to call upon the Vanderbilt girls.
In the 1880s, Alva Vanderbilt succeeded in rising to the top of New York society; Arabella Huntington–one of the richest women in America–did not. Why?
Marble House was Alva Vanderbilt's 39th birthday present. She later became a leader in the women's suffrage movement. See inside Marble House, a 50-room Gilded Age mansion that a Vanderbilt heir ...
Through Smith, Thornton was the uncle of Alva Vanderbilt Belmont. Thornton's last marriage was to Sarah Williams Gould, the daughter William Proctor Gould and Eliza Williams Chotard. She was the widow of Samuel Merritt Gowdey. Sarah Gould Thornton outlived her husband, dying in 1885. [1] Children by Mary Amelia Glover Mary Thornton
The Wilsons' residence at 3 East 64th Street.. In 1883, wealthy socialite Alva Vanderbilt, the then wife of railroad tycoon William Kissam Vanderbilt, planned an elaborate masquerade ball for 1,000 guests (reportedly costing $3 million) to celebrate the opening of her new home at 660 Fifth Avenue, known as the William K. Vanderbilt House.
Carrie Coon's character, Bertha Russell, is obviously representative of Alva Vanderbilt, the real rival of Mrs. Astor. "We have a sense of shape when it comes to the story, but Julien throws in a ...