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The Journey is a 1959 American drama film directed by Anatole Litvak. A group of Westerners try to flee Hungary after the Soviet Union moves to crush the Hungarian Revolution of 1956 . It has Ron Howard in his first credited acting role, Deborah Kerr , Yul Brynner , Jason Robards and Robert Morley .
A shaven head was often referred to as the "Yul Brynner look". [39] [40] [41] Brynner's second motion picture was the film version of The King and I (1956) with Deborah Kerr. It was a huge success critically and commercially. [42] Brynner as Ramesses II in The Ten Commandments (1956)
The Journey or El viaje, an Argentine film; The Journey, a 1997 American film by Indian director Harish Saluja; The Journey (Sancharam), an Indian Malayalam film by Ligy J. Pulleppally; The Journey, a 2011 short film directed by Tharun Bhascker Dhaassyam; The Journey (2014 Malaysian film), a Malaysian film directed by Chiu Keng Guan; The ...
Richard Eder panned the film in The New York Times, quoting Ballard's line from the movie, "This is about as exciting as a visit to the water works." Coining his own variation on the phrase, Eder also claimed the film is "as much fun as running barefoot on Astroturf." He added, "It is all the most ordinary kind of hardware science fiction, full ...
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K.T. Stevens and Yul Brynner. Port of New York is a 1949 American film noir/crime film directed by László Benedek with cinematography by George E. Diskant and shot in semidocumentary style. The film is notable for being Yul Brynner's first film appearance. The film, which is very similar to T-Men (1947), was shot on location in New York City. [1]
Through a hapless arrival, a creole of color French gunman named Jules Gaspard d'Estaing (Yul Brynner) decides to stay on in town after his stagecoach arrived for a rest stop and takes notice from afar of the attractive Ruth. Jules, who later teaches the ignorant town how to pronounce his name correctly in French, scares off the paid-for ...
Solomon and Sheba received indifferent to negative reviews and Yul Brynner's performance was criticized by no less than the film's director, King Vidor, who stated that Tyrone Power had been much more believable as a conflicted king than Brynner who apparently played it with too much self-assurance. [25]