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A further development was the evolution of the blues ballad, which mixed the genre with Afro-American music. For the late 20th century the music publishing industry found a market for what are often termed sentimental ballads, and these are the origin of the modern use of the term 'ballad' to mean a slow love song.
The ballad, though historically inaccurate, recounts the Battle of Pinkie Cleugh, the last large-scale encounter between the Scottish and English armies. 173: Mary Hamilton: Mary Hamilton, servant to Queen of the Scots, Mary Stuart, has an affair with the king and becomes pregnant. Out of guilt, she casts her newborn into the sea.
"Jimmy Murphy" – song of music hall origin with distinctly unusual chorus "Kelly of Killanne" – ballad by P.J. McCall (1861–1919), recounting the exploits of John Kelly, one of the most popular leader of the Wexford rebels. [9] "The Liberty Tree" – anonymous United Irishmen ballad in praise of the French Revolution [5]
Francis James Child collected the words to over 300 British folk ballads. Illustration by Arthur Rackham of Child Ballad 26, "The Twa Corbies"Child's collection was not the first of its kind; there had been many less scholarly collections of English and Scottish ballads, particularly from Bishop Thomas Percy's Reliques of Ancient English Poetry (1765) onwards. [4]
Characteristically, ballads use acoustic instruments such as guitars, pianos, saxophones, and sometimes an orchestral set. Many modern mainstream ballads tend to feature synthesizers, drum machines and even, to some extent, a dance rhythm. [4] Sentimental ballads had their origins in the early Tin Pan Alley music industry of the later 19th ...
In 19th century romantic music, a piano ballad (or 'ballade') is a genre of solo piano pieces [1] [2] written in a balletic narrative style, often with lyrical elements interspersed. Emerging in the Romantic era , it became a medium for composers to explore dramatic and expressive storytelling through complex, lyrical themes and virtuosic ...
"Greensleeves" is a traditional English folk song. A broadside ballad by the name "A Newe Northen Dittye of ye Ladye Greene Sleves" was registered by Richard Jones at the London Stationers' Company in September 1580, [1] [2] and the tune is found in several late 16th-century and early 17th-century sources, such as Ballet's MS Lute Book and Het Luitboek van Thysius, as well as various ...
An alternative history is suggested by a collection of ballads, dated between 1813 and 1838, is held in the Bodleian Library. The printer, Catnach, was based in the Seven Dials area of London. The Bodleian bundle contains "The Wild Rover". [3] The Greig-Duncan collection (compiled by Gavin Greig, 1848–1917) contains six versions of the song.