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He started a second book in the 1920s but it was unfinished at his death. In 1913, Frank Pick commissioned him to design a typeface for London Underground, and the simple and clear sans-serif Johnston typeface was the result. In 1913, Johnston was one of the editors of The Imprint, a periodical for the printing industry.
Hornbooks consist of a lesson sheet illustrating the letters of the alphabet, mounted on a paddle of wood, bone, leather, silver, lead alloy [9] or stone and protected by a thin sheet of translucent horn, [n 1] or mica, [n 2] held in place by narrow brass strips tacked through the horn to the paddle to protect the lesson sheet. [10]
The market for wood type was apparently limited and most businesses had side-lines as dealers in other printers' equipment, or making other wooden goods. [57] One of the larger firms until the 1880s was the company of William H. Page, near Norwich, Connecticut. Wood type competed with lithography and stencils in the market for display typography.
The first ætt was reduced to its first six letters, fuþąrk, losing the g and w runes (the old a rune is transliterated as ą for Old Norse as the phoneme it expressed had become more closed). The second ætt lost the æ and p runes. The j rune was rendered superfluous due to Old Norse sound changes, but was kept with the new sound value of a.
The Old English Latin alphabet generally consisted of about 24 letters, and was used for writing Old English from the 8th to the 12th centuries. Of these letters, most were directly adopted from the Latin alphabet , two were modified Latin letters ( Æ , Ð ), and two developed from the runic alphabet ( Ƿ , Þ ).
The lists and tables below summarize and compare the letter inventories of some of the Latin-script alphabets.In this article, the scope of the word "alphabet" is broadened to include letters with tone marks, and other diacritics used to represent a wide range of orthographic traditions, without regard to whether or how they are sequenced in their alphabet or the table.