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The Beowulf manuscript is known as the Nowell Codex, gaining its name from 16th-century scholar Laurence Nowell. The official designation is "British Library, Cotton Vitellius A.XV" because it was one of Sir Robert Bruce Cotton's holdings in the Cotton library in the middle of the 17th century.
Due to the fame of Beowulf, the Nowell Codex is also sometimes known simply as the Beowulf manuscript. The manuscript is located within the British Library with the rest of the Cotton collection . Name and date
Dæghrefn – a Frankish warrior killed by Beowulf. The Dragon – beast (Old English: wyrm) that ravages Beowulf's kingdom and which Beowulf must slay at the end of the poem. It is the cause of Beowulf's death. Eadgils – a Swedish king also mentioned extensively in the Norse sagas. Eanmund – a Swedish prince, and the brother of Eadgils.
During the decades following Tolkien's essay, the exact description of Grendel was debated by scholars. Indeed, because his exact appearance is never directly described in Old English by the original Beowulf poet, part of the debate revolves around what is known, namely his descent from the biblical Cain (the first murderer in the Bible).
Tolkien made use of Beowulf, along with other Old English sources, for many aspects of the Riders of Rohan. Their land was the Mark, its name a version of the Mercia where he lived, in Mercian dialect *Marc. Their names are straightforwardly Old English: Éomer and Háma (characters in Beowulf), Éowyn ("Horse-joy"), Théoden ("King").
Swords have great significance in the war-centred Anglo-Saxon culture from which Beowulf arises. Therefore, emphasis is strongly placed on the exchange of weapons of war. Weapons such as swords circulated through Anglo-Saxon society as inheritance through family, birthed through the monsters, found under magic rocks, and as rewards between lords and their subject
1984: Beowulf: adapted for live performance by the founding members of Theatre in the Ground. [33] 1990s Beowulf one-man shows in modern English by Julian Glover [34] 1993. Beowulf, op. 17, chamber opera (or dramatic cantata) in one act for a chorus of young voices, light soprano, light tenor and baritone soli, by Richard Lambert. [35]
The next day, Beowulf was lauded and a skald sang and compared Beowulf with the hero Sigmund. However, during the following night Grendel's mother arrived to avenge her son's death and collect weregild. As Beowulf slept in a different building he could not stop her. He resolved to descend into the bog in order to kill her.