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An Ibanez DE-7 delay pedal Sound example of a plugin simulation of an analog delay (EHX Memory Man) with modulation and pitch shift. Digital delay systems function by sampling the input signal using an analog-to-digital converter. The resulting digital audio is passed through a memory buffer and recalled from the buffer a short time later.
Valhalla Delay is a plugin which simulates the sounds of a number of vintage delays, including tape based delays (such as the sound of Roland Space Echo, Maestro Echoplex, or reel to reel based tape delay units), "bucket brigade" delays, 1980s digital delays, and delays with pitch shifting. [31]
The DL4 by Line 6, introduced in 1999, is a digital delay pedal. It is one of the first digital modeling effects units. [1] The DL4 features models of 16 vintage delay effects, including the Echoplex, Roland Corporation's Space Echo, and the Electro-Harmonix Deluxe Memory Man. [2] [3] It is also used for looping. [4]
Has "Tone Editor" with detune, delay, attack/decay and release. Has sustain pedal input. Not velocity sensitive. Also released as the PMP-600 as part of Casio's "Professional" line. [43] CT 657 1989 61 full 110 12 D (x6) - Has "Tone Editor" with delay, attack/decay and release. [44] CT 660 1988 61 full 465 10 D (x6) in/out/thru
A reverb effect, or reverb, is an audio effect applied to a sound signal to simulate reverberation. [1] It may be created through physical means, such as echo chambers , or electronically through audio signal processing .
The Watkins Copicat is an effects unit that produces tape delay and reverb effects. One of the first commercially available tape delay units, [1] the original Copicat model was produced by Watkins Electric Music beginning in 1958. The Copicat became one of Watkins' most successful products, and the company produced various Copicat models and ...
The delay setting determines the length of silence between hitting a note and the attack. Some software synthesizers, such as Image-Line's 3xOSC (included with their DAW FL Studio) have DAHDSR (delay, attack, hold, decay, sustain, release) envelopes. A common feature on many synthesizers is an AD envelope (attack and decay only).
Multi-effects units typically have a range of distortion, chorus, flanger, phaser, delay, looper and reverb effects. Pedal-style multi-effects range from fairly inexpensive stompboxes that contain two pedals and a few knobs to control the effects to large, expensive floor units with many pedals and knobs.