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The Miserere is one of Josquin's two "motto" motets, motets in which repetitions of a phrase are the predominant structural feature (the other is the five-voice Salve Regina of several years before). In the Miserere , the opening words of the first verse "Miserere mei, Deus", sung to a simple repeated-note motif containing only two pitches (E ...
Magnificat quarti toni (attributed to Josquin on stylistic grounds) Magnificat tertii toni (attributed to Josquin on stylistic grounds) Memor esto verbi tui; Miserere mei Deus (Ferrara, 1503) Misericordias Domini in aeternum cantabo (France, 1480/83) Missus est Gabriel angelus ad Mariam Virginem; Mittit ad virginem; Monstra te esse matrem
Josquin Lebloitte dit des Prez (c. 1450–1455 – 27 August 1521) was a composer of High Renaissance music, who is variously described as French or Franco-Flemish.. Considered one of the greatest composers of the Renaissance, he was a central figure of the Franco-Flemish School and had a profound influence on the music of 16th-century
Miserere, c. 1503 motet setting by Josquin des Prez; Miserere nostri, 1575 composition by Thomas Tallis; Miserere, 1630s musical setting by Gregorio Allegri; Miserere des Jésuites H.193 (1683-85), Miserere H.157 (1670), Miserere H.173 (late 1670s), Miserere H.219 (early 1690s ?), by Marc-Antoine Charpentier
Tenor of "Adieu mes amours" from Petrucci's Odhecaton. Adieu mes amours was a popular secular polyphonic chanson of the late 15th century. Many settings of this tune are in fact based on the c. 1480 setting by Josquin des Prez, in which the lower two voices are in quasi-canon, and the upper two voices are freer.
Dating of the mass has been controversial, with some scholars proposing a mid-career date, for example during Josquin's Roman period (roughly 1489 to 1495), and other scholars, such as Gustave Reese, arguing for an earlier date, claiming that the contrapuntal complexity the mass shows is more typical of Josquin's early style, and that he simplified his method as he aged. [3]
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Adieu mes amours by Josquin des Prez in the Odhecaton. The Harmonice Musices Odhecaton (One Hundred Songs of Harmonic Music, [1] also known simply as the Odhecaton) is an anthology of polyphonic secular songs published by Ottaviano Petrucci in 1501 in Venice. It is the first book of polyphonic music ever to be printed using movable type.