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Bernard Bailyn (September 10, 1922 – August 7, 2020) was an American historian, author, and academic specializing in U.S. Colonial and Revolutionary-era History. He was a professor at Harvard University from 1953. Bailyn won the Pulitzer Prize for History twice (in 1968 and 1987). [2]
Two years later, Bailyn published a revised and expanded version of this introduction, entitling it The Ideological Origins of the American Revolution. Bailyn argued that "the 'progressive' historians of the early twentieth century" dismissed "the Revolutionary leaders' professed fears of 'slavery' and of conspiratorial designs as what by then ...
Voyagers to the West: A Passage in the Peopling of America on the Eve of the Revolution is a 1986 nonfiction book by American historian Bernard Bailyn, published by Knopf. The book chronicles the migration of British farmers into colonial America in the 1770s. [ 1 ]
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The Plan provided a roadmap for the future of the Merce Cunningham Dance Company, as envisioned by Cunningham. The first of its kind in the dance world, the plan represented Cunningham's vision for continuing his work in the upcoming years, transitioning his company once he was no longer able to lead it, and preserving his oeuvre.
Closely related to the development of American music in the early 20th century was the emergence of a new, and distinctively American, art form – modern dance.Among the early innovators was Isadora Duncan (1878–1927), who stressed pure, unstructured movement in lieu of the positions of classical ballet.
Modern dance is a broad genre of western concert or theatrical dance which includes dance styles such as ballet, folk, ethnic, religious, and social dancing; and primarily arose out of Europe and the United States in the late 19th and early 20th centuries.
Frank Farnum coaching Pauline Starke to dance Charleston. The Charleston is a dance named after the harbor city of Charleston, South Carolina.The rhythm was popularized in mainstream dance music in the United States by a 1923 tune called "The Charleston" by composer/pianist James P. Johnson, which originated in the Broadway show Runnin' Wild and became one of the most popular hits of the decade.