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Alfons Maria Mucha [1] [2] (Czech: [ˈalfons ˈmuxa] ⓘ; 24 July 1860 – 14 July 1939), [3] known internationally as Alphonse Mucha, was a Czech painter, illustrator, and graphic artist. Living in Paris during the Art Nouveau period, he was widely known for his distinctly stylized and decorative theatrical posters, particularly those of Sarah ...
The Seasons or Four Seasons is the name of three different color lithograph series produced by Czech visual artist Alphonse Mucha. They were produced in 1896, 1897, and 1900. They were produced in 1896, 1897, and 1900.
Alphonse Mucha working on the cycle in 1920. Mucha's The Slav Epic in the National Gallery of Prague. The Slav Epic (Czech: Slovanská epopej) is a cycle of 20 large canvases painted by Czech Art Nouveau painter Alphonse Mucha between 1910 and 1928. The cycle depicts the mythology and history of Czechs and other Slavic peoples.
This is a truncated, illustrated list of works by Alphonse Maria Mucha, and shows few examples of the many iconic images for which he is famous. The list does not include all of Mucha's 1910-1928 series The Slav Epic.
Alphonse Mucha (1860–1939), born in Moravia in what is now the Czech Republic, trained as a painter in Munich for two years and then moved to Paris in 1887, where he struggled to survive. His moment came in December 1894, when he was asked, on very short notice, to create a poster for a new play, Gismonda , starring Sarah Bernhardt .
1897 Mucha calendar and 1898 Mucha poster. Mucha's famous Femme Blonde JOB is world-famous. A splendid, dreamy creature with long, curving hair mingling with wisps of smoke, this "Mucha-style" woman is not to be trifled with by her admirers, whose detractors refer to her as " Mucha macaron i". [ 38 ]
Alphonse Mucha poster for Lorenzaccio starring Sarah Bernhardt (1896). Lorenzaccio is a French play of the Romantic period written by Alfred de Musset in 1834, set in 16th-century Florence, and depicting Lorenzino de' Medici, who killed Florence's tyrant, Alessandro de' Medici, his cousin. [1]
Poster of Sarah Bernhardt by Alphonse Mucha (1896). The actress's hair is a profusion of whiplash lines. The whiplash line was especially popular in posters and the graphic arts. In the posters of Alphonse Mucha and Koloman Moser, it was frequently used to depict women's hair, which became a central motif of the posters. After 1900 the whiplash ...