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Slab serif fonts vary considerably: some such as Rockwell have a geometric design with minimal variation in stroke width—they are sometimes described as sans-serif fonts with added serifs. Others such as those of the "Clarendon" model have a structure more like most other serif fonts, though with larger and more obvious serifs.
Peter Biľak's Karloff is a family of normal and matching reverse-contrast fonts with upper- and lower-case, together with a low-contrast slab serif design, all with the same basic structure. Biľak and his colleagues tried to strictly invert the contrast of a conventional Didone font and interpolate the two for the low-contrast slab serif.
Some fonts oriented towards small print use and printing on poor-quality newsprint paper may have slab serifs to increase legibility, while their other features are closer to conventional book type fonts. Slab serif fonts were also often used in typewriters, most famously Courier, and this tradition has meant many monospaced text fonts intended ...
With the rise of digital computing, variants of the Courier typeface were developed with features helpful in coding: larger punctuation marks, stronger distinctions between similar characters (such as the numeral 0 vs. the upper-case O and the numeral 1 vs. the lower-case L), sans-serif variants, and other features to provide increased legibility when viewed on screens.
Sans-serif lettering and typefaces were popular due to their clarity and legibility at distance in advertising and display use, when printed very large or small. Because sans-serif type was often used for headings and commercial printing, many early sans-serif designs did not feature lower-case letters.
Roboto Slab Designer: Christian Robertson Class: Slab serif : Rockwell Class: Slab serif : Rotis Designer: Otl Aicher Class: Other : Sabon Designer: Jan Tschichold Class: Old style : Serifa Designer: Adrian Frutiger Class: Slab serif : Source Serif Pro Designer: Frank Grießhammer Class: Transitional : Souvenir Designer: Morris Fuller Benton ...
These include chiseled, stenciled, semi-rounded, dotted, prisma, railed, and slab-serif versions. Some variants have two optical sizes: "display" for large and "text" for small text. The letters in the "text" size have larger apertures and more generous letter-spacing than in the "display" size.
The Generis type families include Generis Serif, the elegant serif style with a classical essence; Generis Slab, the stable slab serif with technical characteristics; Generis Sans, the clear sans serif with an objective appearance; Generis Simple, the simplified sans serif with a contemporary nature, similar to FF Dax.