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The first poem of Pomes Penyeach is entitled "Tilly" and represents the bonus offering of this penny-a-poem collection. (The poem was originally entitled "Cabra", after the Cabra district of Dublin where Joyce was living at the time of his mother's death.) [citation needed] The poems were initially rejected for publication by Ezra Pound. [1]
The poem employs alliteration, anaphora, simile, satire, and internal rhyme but no regular end rhyme scheme. However, lines 1 and 2 and lines 6 and 8 end with masculine rhymes. Dickinson incorporates the pronouns you, we, us, your into the poem, and in doing so, draws the reader into the piece. The poem suggests anonymity is preferable to fame.
It was later published as a stand-alone poem as "A Catholic Hymn" in the August 16, 1845 issue of the Broadway Journal. The poem addresses the Mother of God, thanking her for hearing her prayers and pleading for a bright future. When it was included in the collection The Raven and Other Poems it was lumped into one large stanza. In a copy of ...
There’s chronic loneliness, and there’s solitude. One is a dangerous epidemic. The other is a skill we must nurture
You Alone Exist is a prayer poem describing the unlimited attributes of God. Dictated by Meher Baba during 1959-1962 to his close disciple Bhau Kalchuri, the prayer-poem expressively describes the all-pervading nature of God through many attributes, from simple to sublime.
Nature is a common theme in Romantic poetry, but in Keats' poem it demonstrates how essential and natural writing is to his being. [5] The shore and water that love and fame sink within represent an expanse of fears that sit before Keats, giving the natural world a darker theme in those lines.
The poems were written during a short period while the poet lived in Germany. Although they individually deal with a variety of themes, the idea of Lucy's death weighs heavily on the poet throughout the series, imbuing the poems with a melancholic, elegiac tone.
The poem describes the speaker – a woman, as the adjective "μόνα" ("alone") in the final line is feminine – lying alone at night. Clay suggests that this was intended to allude to, and contrast with, the myth of Selene and her mortal lover Endymion , who were reunited each night. [ 10 ]