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Freedom of Speech is the first of the Four Freedoms paintings by Norman Rockwell, inspired by United States President Franklin D. Roosevelt's 1941 State of the Union address, known as Four Freedoms. The painting was published in the February 20, 1943, issue of The Saturday Evening Post with a matching essay by Booth Tarkington. [2]
Matinée de Septembre (English: September Morn) is a controversial oil painting on canvas completed in 1911 by the French artist Paul Émile Chabas.Painted over several summers, it depicts a nude girl or young woman standing in the shallow water of a lake, prominently lit by the morning sun.
In 1974 Seymour Slive listed the painting as the pendant of A Man Holding a Skull and claimed then that despite cleaning of the coat of arms and recent documents the provenance was still inconclusive, and he read the inscription as "aeta suae 31", leading him to conclude the woman was aged 31 at marriage rather than 37. [2]
American Gothic is a 1930 oil on beaverwood painting by the American Regionalist artist Grant Wood. Depicting a Midwestern farmer and his daughter standing in front of their Carpenter Gothic style home, American Gothic is one of the most famous American paintings of the 20th century and is frequently referenced in popular culture. [1] [2]
The portrait of the woman was lost when Picasso painted over it, probably a few months afterward, in 1901 to depict his sculptor friend Mateu Fernández de Soto sitting at a table in hues of blues ...
Millet's The Gleaners was preceded by a vertical painting of the image in 1854 and an etching in 1855. Millet unveiled The Gleaners at the Salon in 1857. It immediately drew negative criticism from the middle and upper classes, who viewed the topic with suspicion: one art critic, speaking for other Parisians, perceived in it an alarming intimation of "the scaffolds of 1793."
Portrait of a Woman Standing (Kassel) is a painting by the Dutch Golden Age painter Frans Hals, painted in 1618–1620 and now in Gemäldegalerie Alte Meister (Kassel). It is considered a pendant portrait to the Portrait of a Man Standing , in the same museum.
The painting depicts a naked woman standing, facing the viewers. Her right hand extends above her head, holding a golden mirror, her left hand seems to be holding a stick or staff, and her right leg is bent, shifting weight onto her left hip. The model for the painting was the well-known French actress Sophie Croizette .