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German "dotted manner" print, partly with added colours, 15th century. There were two different techniques for making metalcut prints, with very different results. The first technique is essentially that of woodcut but using a thin metal plate rather than a wooden block. The areas not to print are cut away, or hammered back with punches.
A wide array of edge and boring tools provides a broad survey of hand tool-making from prehistory to today. Writing in The Times, Huon Mallalieu encapsulated the function of the book: "Over the past 35 years [David Russell] has amassed probably the world’s largest collection of antique woodworking tools from the Stone Age to the 20th century ...
Other tools such as mezzotint rockers, roulettes (a tool with a fine-toothed wheel) and burnishers (a tool used for making an object smooth or shiny by rubbing) are used for texturing effects. To make a print, the engraved plate is inked all over, then the ink is wiped off the surface, leaving ink only in the engraved lines.
A burin diagram, showing the handle, shaft, cutting tip, and face. [1] The bend in the shaft is especially associated with wood engraving. [2]A burin (/ ˈ b j ʊər ɪ n, ˈ b ɜːr ɪ n / BUR(E)-in) is a steel cutting tool used in engraving, from the French burin (cold chisel).
Tools for marking out and measuring: A rule, now better known as a ruler and similar to a yard stick, is used to measure. Repeated measurements often use a storey pole; Carpenter's marks were made with a race knife, chisel, gouge, saw, grease pencil, chalk pencil, or lead pencil. Chalk line or ink line used to snap lines on the wood. Ink and a ...
The firm of T. Norris & Son was one of the most prestigious makers of hand tools in England in the late nineteenth and early twentieth centuries and famed for the quality and gracefulness of its output, notably of its metal planes. Both wooden and metal planes made in Norris's workshop survive as do other edge tools.