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Soul music reinterpreted the sounds of earlier rhythm-and-blues pioneers like Chuck Berry and Ray Charles, and it was a return to African American musical roots after the emergence of rock and roll, which was seen as a white interpretation of rhythm and blues. The style of soul music is marked by its emotional intensity and personal expression.
"Smiling Faces Sometimes" is a soul song written by Norman Whitfield and Barrett Strong for the Motown label. It was originally recorded by the Temptations in 1971. Producer Norman Whitfield had the song re-recorded by the Undisputed Truth the same year, resulting in a number-three Billboard Hot 100 position for the group.
The Jackson 5 reached number one for the first time in January and by the end of the year had accumulated four chart-toppers.. Billboard published a weekly chart in 1970 ranking the top-performing singles in the United States in soul music and related African American-oriented music genres; the chart has undergone various name changes over the decades to reflect the evolution of such genres ...
The artists of the 1970s produced so many chart-topping hits we compiled a list. It includes bands and singers such as Stevie Wonder, ABBA, and Redbone.
The version heard on Soul Train, released on a 1975 Three Degrees album, International, had the series title sung over the first four notes of the melody, "Soul Train, Soul Train". "TSOP" hit No. 1 on the U.S. Billboard Hot 100 in 1974 and remained there for two weeks, the first television theme song to do so. [2] [4]
DeVaughn wrote "A Cadillac Don't Come Easy", eventually re-written to become "Be Thankful for What You Got" in 1972, and spent $900 toward it under a development agreement, under which an artist will record a few initial demos or tracks where, if successfully approved, the company may reserve the right to extend the arrangement to Omega Sound, a Philadelphia production house, and release the song.
"Theme from Shaft", written and recorded by Isaac Hayes in 1971, is the soul and funk-styled theme song to the Metro-Goldwyn-Mayer film Shaft. [1] The theme was released as a single (shortened and edited from the longer album version) two months after the movie's soundtrack by Stax Records' Enterprise label.
Sounds of the Seventies was a 40-volume series issued by Time-Life during the late 1980s and early-to-mid 1990s, spotlighting pop music of the 1970s.. Much like Time-Life's other series chronicling popular music, volumes in the "Sounds of the Seventies" series covered a specific time period, including individual years in some volumes, and different parts of the decade (for instance, the early ...