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The Most Reluctant Convert: The Untold Story of C.S. Lewis is a 2021 British biographical drama film written and directed by Norman Stone, based on the 2016 stage play, C.S. Lewis on Stage: The Most Reluctant Convert, by Max McLean [2] (which itself was based on Lewis' 1955 memoir Surprised by Joy). [1]
Lewis returned to Anglicanism at the age of 32, owing to the influence of Tolkien and other friends, and he became an "ordinary layman of the Church of England". [1] Lewis's faith profoundly affected his work, and his wartime radio broadcasts on the subject of Christianity brought him wide acclaim.
Eerdmans paperback edition (1965) The Weight of Glory and Other Addresses is a collection of essays and addresses on Christianity by C.S. Lewis.It was first published as a single transcribed sermon, "The Weight of Glory" in 1941, appearing in the British journal, Theology, then in pamphlet form in 1942 by Society for Promoting Christian Knowledge, London.
The definition of the Eucharist in the 1983 Code of Canon Law as the sacrament where Christ himself “is contained, offered, and received” points to the three aspects of the Eucharist according to Catholic theology: the real presence of Christ in the Eucharist, Holy Communion, and the holy sacrifice of the Mass. [3] The name Eucharist comes ...
The practice of spiritual communion has been especially used by Christians in times of persecution, such as during the era of state atheism in the Eastern Bloc, as well as in times of plague, such as during the recent COVID-19 pandemic, when many Christians were unable to attend Mass, and could not receive the Eucharist on the Lord's Day. [4]
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Chalkdust’s debut project, “Boxen: The Childhood Chronicles of C.S. Lewis,” … Former Paramount, Reel FX Exec Jared Mass Launches Chalkdust Animation Studios’ First Project, An Animated C ...
God in the Dock is a collection of previously unpublished essays and speeches from C. S. Lewis, collected from many sources after his death.Its title implies "God on Trial" [a] and the title is based on an analogy [1] made by Lewis suggesting that modern human beings, rather than seeing themselves as standing before God in judgement, prefer to place God on trial while acting as his judge.