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Falconet's 1763 sculpture Pygmalion and Galatea (Walters Art Museum, Baltimore). Galatea (/ ˌ ɡ æ l ə ˈ t iː ə /; Ancient Greek: Γαλάτεια; "she who is milk-white") [1] is the post-antiquity name popularly applied to the statue carved of ivory alabaster by Pygmalion of Cyprus, which then came to life in Greek mythology.
Acis and Galatea (/ ˈ eɪ s ɪ s /, / ɡ æ l ə ˈ t iː. ə / [1] [2]) are characters from Greek mythology later associated together in Ovid's Metamorphoses.The episode tells of the love between the mortal Acis and the Nereid (sea-nymph) Galatea; when the jealous Cyclops Polyphemus kills Acis, Galatea transforms her lover into an immortal river spirit.
In Greek mythology, Galatea (/ ˌ ɡ æ l ə ˈ t iː ə /; Ancient Greek: Γαλάτεια; "she who is milk-white") [1] was the name of the following figures: Galatea, a Nereid who loved the shepherd Acis, and was loved by the cyclops Polyphemus. [2] Galatea, the statue of a woman created by Pygmalion and brought to life by Aphrodite. [3]
In Greek mythology, Pygmalion (/ p ɪ ɡ ˈ m eɪ l i ən /; Ancient Greek: Πυγμαλίων Pugmalíōn, gen.: Πυγμαλίωνος) was a legendary figure of Cyprus . He is most familiar from Ovid 's narrative poem Metamorphoses , in which Pygmalion was a sculptor who fell in love with a statue he had carved.
George Frideric Handel. Acis and Galatea (HWV 49) is a musical work by George Frideric Handel with an English text by John Gay.The work has been variously described as a serenata, a masque, a pastoral or pastoral opera, a "little opera" (in a letter by the composer while it was being written), an entertainment and by the New Grove Dictionary of Music as an oratorio.
Aci, Galatea e Polifemo, cantata by Handel; Galatea, or The Triumph of Galatea, a 1512 fresco of Ovid's sea-nymph; Gallathea, a late sixteenth-century play by John Lyly; Galatea, or Pygmalion Reversed, an 1883 musical comedy by Henry Pottinger Stephens, W. Webster and Meyer Lutz; Galatea, a 2009 play by Lawrence Aronovitch
In ancient Greek mythology, Pygmalion fell in love with one of his sculptures, which then came to life. The general idea of that myth was a popular subject for Victorian era British playwrights, including one of Shaw's influences, W. S. Gilbert, who wrote a successful play based on the story called Pygmalion and Galatea that was first presented in 1871.
Pygmalion and Galatea is an oil-on-canvas painting by the French painter Anne-Louis Girodet. It represents the myth of Pygmalion and Galatea as told by Ovid in the Metamorphoses. The figures Pygmalion and Galatea are shown with Cupid, the god of desire. Girodet began the work in 1813, but it took him six years to complete. [1] [1]