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This category contains image files of album covers by Traffic (band). Media in category "Traffic (band) album covers" The following 14 files are in this category, out of 14 total.
Traffic is the second studio album by the English rock band of the same name, released in 1968 on Island Records in the United Kingdom as ILPS 9081T (stereo), and United Artists in the United States, as UAS 6676 (stereo). The album peaked at number 9 in the UK Albums Chart [2] and at number 17 on the Billboard Top LPs chart. [3]
As with other Traffic albums, The Low Spark of High Heeled Boys featured varied influences, including jazz, folk music and Classical. The name of the album's title track was suggested by the actor Michael J. Pollard. The LP's front cover is notable for its top right and bottom left corners being clipped, giving the illusion of a three ...
Heavy Traffic – 1975 US #155; More Heavy Traffic – 1975 US #193; Smiling Phases – 1991; Heaven Is in Your Mind - An Introduction to Traffic – 1998 (part of Island's An Introduction to... series) Feelin' Alright: The Very Best of Traffic – 2000 (re-released in 2007 as The Definitive Collection, part of Universal's The Definitive ...
The 3D-rendered cover design shows a stick-figure hovering above a checkerboard patterned floor playing a flute. The stick-figure's head is aligned in the middle of the Traffic logo, which is seen in a dark blue-gradient background. The back sleeve for the CD version of the album features a blurry photograph of Winwood and Capaldi on a beach.
Some album covers prove controversial due to their titles alone. When the Sex Pistols released Never Mind The Bollocks… in 1977, a record shop owner in Nottingham named Chris Searle was arrested ...
Last Exit is the third album release by English rock band Traffic. Released in May 1969, it is a collection of odds and ends packaged by Island Records after the initial breakup of the band. The first half of the album consists predominantly of previously released A-sides and B-sides , while the second half were recordings taken from a March ...
Thus Winwood's erstwhile solo album became the reunion of Traffic (minus Dave Mason), and a re-launch of the band's career. [6] Mad Shadows would go on to be the title of Mott the Hoople's second album, also produced by Guy Stevens, and the new Winwood/Traffic album took its title from one of its tracks and became John Barleycorn Must Die.