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Ruth Asawa came to prominence when her wire sculptures appeared at both the Whitney Museum of American Art and the 1955 São Paulo Art Biennial. [4] Asawa learned to use commonplace materials from Josef Albers, her teacher at Black Mountain College, and began experimenting with wire using a variety of techniques.
A thinner wire will give an appealing drape to lightweight beads such as gemstone heishe, liquid gold, or liquid silver and bugle or seed beads. A thicker weight wire should be used to accommodate larger, heavier bead strands. Super-thin Beading Wire is a 34-gauge wire that can be used for forming shapes and weaving around findings.
Her exhibit Creatures from the Deep created an underwater world of floating sea creatures, jellyfish, corals and sea anemones, knitted and crocheted from wire. Versions of this work were installed in 2008 at the Racine Art Museum, in 2011 at the Houston Center for Contemporary Craft, [2] and in 2013 at the Museum of Craft and Design in San ...
In this time period of the late 1960s, only three elderly women knew the craft of Zulu basket weaving but because of the Vukani Arts Association they taught others and revived the art. [38] Beauty Ngxongo is the most renowned living Zulu basket weaver. [39] [38] Zulu telephone wire baskets are a contemporary craft. [40]
The Arts and Crafts movement emerged from the attempt to reform design and decoration in mid-19th century Britain. It was a reaction against a perceived decline in standards that the reformers associated with machinery and factory production.
Ganutell is a Maltese art form of making artificial flowers from wire, thread, and beads.. In his introduction to the book Ganutell by Maria Kerr, the Maltese scholar and historian Guido Lanfranco states that in Maltese eighteenth and nineteenth century history, one finds numerous references to ganutell which can be considered to be the Maltese art of making artistic flowers.