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A Day Without Rain was written and recorded in a similar way to Enya's previous albums and without a timeline or deadline set by their label. She first spends time alone developing melodies and outlines of songs on the piano, which she then presents to the Ryans: "I'm quite anxious at this point because it really is an act of laying your soul ...
Enya considered "Fallen Embers" from A Day Without Rain a perfect time when the lyrics reflect how she felt while writing the song. [140] In 2008, she realised her tendency to write "two or three songs" during the winter months, work on the arrangements and lyrics the following spring and summer, and then work on the next couple of songs when ...
The album features a selection of music that she recorded for the soundtrack to The Celts, a BBC documentary series about the origins, growth, and influence of Celtic culture. Four years into her largely unnoticed solo career, Enya landed her first major project in 1985 when producer Tony McAuley asked her to contribute a song for the project ...
"Only Time" is a song by Irish musician Enya. It was released on 6 November 2000 as the lead single from her fifth studio album, A Day Without Rain (2000). The song reached number one in Canada, Germany, Poland and Switzerland, number two in Austria, and became Enya's only top-10 single as a solo artist in the United States, peaking at number 10 on the Billboard Hot 100.
The Memory of Trees is the fourth studio album by Irish singer, songwriter, and musician Enya, released on 20 November 1995 by WEA.After travelling worldwide to promote her previous album Shepherd Moons (1991), and contributing to film soundtracks, Enya took a short break before she started writing and recording a new album in 1993 with her longtime recording partners, arranger and producer ...
"Amarantine" is a single by Irish musician Enya, taken from the album of the same name. The word is taken from ancient Greek and means everlasting or immortal (the same as the amaranth flower).
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The 9:37 song, the fourth and final track of the album, was Rush's first entirely instrumental piece. The multi-part piece was inspired by a dream guitarist Alex Lifeson had, and the music in these sections correspond to the occurrences in his dream. The opening segment was played on a nylon-string classical guitar.