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This is a list of translations of works by William Shakespeare. Each table is arranged alphabetically by the specific work, then by the language of the translation. Translations are then sub-arranged by date of publication (earliest-latest). Where possible, the date of publication given is the date of the first edition by that translator.
This is a list of translators of one or more works of William Shakespeare into respective languages. Translator Target language A. de Herz ... Japanese: Tsuneari ...
He felt this translation method robbed the text of its deeper meanings and emotional power. [4] Therefore, “a translation which has, so to speak, clarified the original and produced a more logical and easier version (Like Fukuda’s translation, according to Kinoshita) has failed to reproduce ‘the energy’ of Shakespeare." [4]
In Japanese culture, social hierarchy plays a significant role in the way someone speaks to the various people they interact with on a day-to-day basis. [5] Choice on level of speech, politeness, body language and appropriate content is assessed on a situational basis, [6] and intentional misuse of these social cues can be offensive to the listener in conversation.
Samuil Marshak – translator of Shakespeare's sonnets, among his other works; Aleksey Mikhalyov – translator of John Steinbeck's East of Eden and many other authors, as well as numerous films and cartoons; Midori Miura – translator of Non-chan kumo ni noru by Momoko Ishii; Vladimir Nabokov – translator of Alice in Wonderland and Lolita
A minced oath is a euphemistic expression formed by deliberately misspelling, mispronouncing, or replacing a part of a profane, blasphemous, or taboo word or phrase to reduce the original term's objectionable characteristics.
"A Lover's Complaint" is a narrative poem written by William Shakespeare, and published as part of the 1609 quarto of Shakespeare's Sonnets. It was published by Thomas Thorpe . "A Lover’s Complaint" is an example of the female-voiced complaint, which is frequently appended to sonnet sequences.
He also did a complete translation of the plays of Shakespeare, written in the old-fashion language of Kabuki. His modern play, Shinkyoku Urashima, incorporating traditional dance and music, was a popular and critical success. The play was a retelling of a familiar Japanese folk-tale with a Rip Van Winkle-like protagonist, Urashima Tarō.