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Driving of the Merchants From the Temple by Scarsellino. In the narrative, Jesus is stated to have visited the Temple in Jerusalem, where the courtyard was described as being filled with livestock, merchants, and the tables of the money changers, who changed the standard Greek and Roman money for Jewish and Tyrian shekels. [6]
Christ Driving the Money Changers from the Temple is a 1609 Christian art painting by El Greco, now in the church of San Ginés in Madrid. It depicts the Cleansing of the Temple , an event in the Life of Christ .
The Purification or the Cleansing of the Temple is a common narrative that tells the story of how Christ and his disciples, before the Jewish Passover went to Jerusalem to visit the Temple. The Cleansing or Purification of the Temple, occurs in all four Gospels: Matthew 21:12–17; Mark 11:15–19; Luke 19:45–48; and John 2:13–16.
Werner writes that "unique in the history of music is the firm belief in the purifying and sin-atoning power of the Temple's music, ascribed to both chant and instruments." [9] The music had to be free from blemish or fault, and avoided magical elements. Even the High Priest's garment had symbolism: (Exod. 28:34–35): "a golden bell and a ...
Christ Driving the Money Changers from the Temple is a 1600 painting by El Greco, now in the National Gallery in London, England. [1] It depicts the Cleansing of the Temple , an event in the Life of Christ .
Christ Driving the Money Changers from the Temple is a painting by El Greco, from 1568, now in the National Gallery of Art in Washington, D.C., in the United States. [1] It depicts the Cleansing of the Temple , an event in the Life of Christ .
Eventually these settings became a separate form of Passion music. Perhaps the most outstanding work in this genre in the Lutheran tradition is the work by Heinrich Schütz . Joseph Haydn composed string quartets titled Die sieben letzten Worte unseres Erlösers am Kreuze (The seven last words of our Redeemer on the cross).
The music may have preserved a few phrases in the reading of scripture which recalled songs from the Temple itself; but generally it echoed the tones which the Jew of each age and country heard around him, not merely in the actual borrowing of tunes, but more in the tonality on which the local music was based. These elements persist side by ...