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The essence of fictional music is usually to convince the recipient that he could experience it in the real world. [1] [2] It often has a diegetic character. [3]Depending on a work, it can be serious, but it can also take on a playful and parodic character (e.g. in concert from the 1964 film The World of Henry Orient).
Group members have also created a few of their own poetry forms, such as the contrail and the Fibonacci-No-Haiku (based upon the Fibonacci number), written SF poetry based on other short poetry forms such as the cinquain, and experimented with a number of collaborative poetry forms such as science fiction renga and stellarenga.
The Science Fiction & Fantasy Poetry Association (SFPA) is a society based in the United States with the aim of fostering an international community of writers and readers interested in poetry pertaining to the genres of science fiction, fantasy, and/or horror.
In 1777, Joseph Haydn's opera "Il mondo della luna"("The world on the moon") premiered. Author and classical music critic David Hurwitz describes Joseph Haydn's choral and chamber orchestra piece, The Creation, composed in 1798, as space music, both in the sense of the sound of the music, ("a genuine piece of 'space music' featuring softly pulsating high violins and winds above low cellos and ...
Slipstream fiction has been described as "the fiction of strangeness", [6] or a form of writing that makes "the familiar strange or the strange familiar" through skepticism about elements of reality. [7] Illustrating this, prototypes of the style of slipstream are considered to exist in the stories of Franz Kafka and Jorge Luis Borges. [8]
The names of some modern inventions (atomic bomb, credit card, robot, space station, oral contraceptive and borazon) exactly match their fictional predecessors. A few works correctly predicted the years when some technologies would emerge, such as the first sustained heavier-than-air aircraft flight in 1903 and the first atomic bomb explosion ...
Larry Niven, a Science Fiction & Fantasy author, wrote The Tale of the Jenni and the Sisters. It supposedly told another tale by Scheherazade, and appeared in his short story collection N-Space (short story collection) (1990). Craig Shaw Gardner wrote a trilogy: The Other Sinbad (1990), A Bad Day for Ali Baba (1991) and Scheherazade's Night Out ...
Science fiction poetry's main sources are the sciences and the literary movement of science fiction prose. [9]Scientifically informed verse, sometimes termed poetry of science, is a branch that has either scientists and their work or scientific phenomena as its primary focus; it may also use scientific jargon as metaphor. [10]