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Two bi-directional AKG C414 microphones set up in a Blumlein pair. Blumlein pair is a stereo recording technique invented by Alan Blumlein for the creation of recordings that, upon replaying through headphones or loudspeakers, recreate the spatial characteristics of the recorded signal.
ORTF setup. The ORTF stereo technique, also known as side-other-side, is a microphone technique used to record stereo sound.It was devised around 1960 at the now-defunct Office de Radiodiffusion Télévision Française (ORTF).
A didgeridoo miked with a small phantom powered condenser microphone that clips onto the instrument.. There are a number of well-developed microphone techniques used for recording musical, film, or voice sources or picking up sounds as part of sound reinforcement systems.
A talkback microphone in a recording studio. In sound recording, a talkback system is the intercom used in recording studios and production control rooms (PCRs) in television studios to enable personnel to communicate with people in the recording area or booth.
Condenser microphones span the range from telephone mouthpieces through inexpensive karaoke microphones to high-fidelity recording microphones. They generally produce a high-quality audio signal and are now the popular choice in laboratory and recording studio applications. The inherent suitability of this technology is due to the very small ...
The Decca Tree setup evolved from the idea of a minimal recording technique using a pair of microphones. The first system was developed by Roy Wallace. The microphone triangle was placed about 3 to 3.6 m high above the stage level, near the conductor. The microphone system is not properly in front of the orchestra, but more "into" the orchestra.
Voice-over recording and podcasting setup centered on the RE20 microphone. The RE20 has been used by many voice-over artists, some working from home studios. [18] Its lower sensitivity requires higher gain from the mic preamp, or an inline gain booster. [19] Podcasting became popular around 2005, often
With this technique is the angle between the microphone axes α = ± 55° = 110° and the distance between the cardioid microphones (microphone basis) is in this case a = 17 cm and gives a total recording angle of 96°. The choice between one and the other depends on the recording angle of the microphone system and not on the distance to and ...