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Corinth is believed to have painted the Self-Portrait with Skeleton in response to the Self-Portrait with Death Playing the Fiddle (1872), by the Swiss painter Arnold Böcklin, who was widely admired back then in Germany. Böcklin depicted the skeleton in his work as a live figure, he plays the violin while the artist listens to it.
Lovis Corinth (21 July 1858 – 17 July 1925) was a German artist and writer whose mature work as a painter and printmaker realized a synthesis of impressionism and expressionism. Corinth studied in Paris and Munich, joined the Berlin Secession group, later succeeding Max Liebermann as the group's president. His early work was naturalistic in ...
Self-Portrait with Skeleton; Susanna in the Bath (Corinth) Y. Young Woman with Cats This page was last edited on 28 November 2023, at 00:43 (UTC). ...
According to him, the painting is "the full answer to [Corinth's] loneliness with the skeleton": "It is not the work cage that is depicted here, not the industrial and urban landscape of the window view, but the champagne and grape still life of a cozy interior, the sensual encounter with the beloved in front of the mirror, whose reflection he ...
Art student Henri Matisse visits Australian painter John Russell on the island of Belle Île off the coast of Brittany and is introduced to Impressionism and to the work of Vincent van Gogh. Interior design gallery Maison de l'Art Nouveau opens in Paris. Museum of Applied Arts, Budapest, designed by Ödön Lechner, is completed.
Othello, also known as Sailor, is an oil on canvas painting by the German painter Lovis Corinth, from 1884. It is a bust portrait of a black man who was a dock worker or sailor from the port of Antwerp, Belgium. The artist signed the painting in the upper left and titled it in the upper right with the words: "Un Othello".
The group was founded in 1892, and included artists such as the impressionist painters Lovis Corinth (Self-portrait with skeleton 1896), Max Slevogt (Danae 1895) and Fritz von Uhde.
The painting represents fellow painter Lovis Corinth, depicted in the seated position. Corinth's body and head are seen in profile and his head is turned slightly, looking at the viewer over his left shoulder. Liebermann usually painted his models as seen from the front, with the current side portrait being an exception. [4]