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Irezumi (入れ墨, lit. ' inserting ink ') (also spelled 入墨 or sometimes 刺青) is the Japanese word for tattoo, and is used in English to refer to a distinctive style of Japanese tattooing, though it is also used as a blanket term to describe a number of tattoo styles originating in Japan, including tattooing traditions from both the Ainu people and the Ryukyuan Kingdom.
The Japanese word irezumi means "insertion of ink" and can mean tattoos using tebori, the traditional Japanese hand method, a Western-style machine or any method of tattooing using insertion of ink. The most common word used for traditional Japanese tattoo designs is horimono. [8]
Traditional Japanese tattoos are still "hand-poked", that is, the ink is inserted beneath the skin using non-electrical, hand-made and hand held tools with needles of sharpened bamboo or steel. This method is known as tebori .
At this time, tattooing was done clandestinely, and tattoos became associated with the Japanese Yakuza organized crime syndicates, who began to incorporate the full body suit as part of their organizations' identities. [4] Such body suits were performed using tebori, a traditional Japanese style that involves tattooing by hand, without the use ...
Horiyoshi III (Japanese: 三代目彫よし, Hepburn: Sandaime Horiyoshi, born 1946 as Yoshihito Nakano (中野 義仁)) is a horishi (tattoo artist), specializing in Japanese traditional full-body tattoos, or "suits," called Irezumi or Horimono.
Horiyasu executes only large-scale pieces. [12] [11] His style is described as bold and striking.[20]He is mainly focused on traditional tattooing themes such as Buddhist deities, dragons, tigers, samurai warriors, historical protective personalities, water and floral motifs (such as goldfish and peonies or carps), working mostly for male clients.
Horimono can also refer to the practice of traditional tattooing in Japanese culture; while irezumi usually refers to any tattooing (and often has negative connotations in Japan), "horimono" is usually used to describe full-body tattoos done in the traditional style. [2]
American servicemen during World War II were taught that one could distinguish between some Okinawan women and mainland Japanese women through hajichi. Nonetheless the practise became less and less common over time and by the 1950s most young women in Okinawa rejected getting the traditional tattoos. [8]