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The Encyclopedia of Vernacular Architecture of the World is a three-volume encyclopedia detailing the traditional architecture of the world, by cultural region. Published in 1997, it was edited by Paul Oliver of the Oxford Institute for Sustainable Development and Oxford Brookes University .
Vernacular architecture (also folk architecture [1]) is building done outside any academic tradition, and without professional guidance. It is not a particular architectural movement or style, but rather a broad category, encompassing a wide range and variety of building types, with differing methods of construction, from around the world, both ...
Batak architecture; Beehive house; Bender tent; Berg house; Bermudian roof; Beth Meir Synagogue; Bildts farmhouse; Birch-bark roof; Black Forest house; Blackhouse; Black-and-white Revival architecture; Bothy; Branch house (building) Bregenzerwälderhaus; Building materials processing in the vernacular architecture of Oceania; Bundwerk; Bungalow ...
The stylings of critical regionalism seek to provide an architecture rooted in the modern tradition, but tied to geographical and cultural context. Critical regionalism is not simply regionalism in the sense of vernacular architecture. It is a progressive approach to design that seeks to mediate between the global and the local languages of ...
The Vernacular Architecture Forum (VAF) is a scholarly organization founded in 1980 to support the study and preservation of all aspects of vernacular architecture and landscapes. [1] The organization has brought together scholars and practitioners from a wide variety of disciplines-- geography , folklore , architecture , landscape architecture ...
One of the most common types of construction in the Najd was the use of clay and mudbrick as well as other materials including stones, tamarisk and palm trees. [13] Given the scarce availability of stones and different varieties of trees suitable for construction, the buildings were built with mud or sun-dried bricks and finished with the application of mud plaster.
Oliver started work as an artist at the Architectural Association in 1960, and after a few years began teaching the history of architecture. [4] From the early 1960s, he studied vernacular architecture traditions around the world, [10] particularly stimulated by a trip to Ghana in 1964 to research appropriate housing for people displaced after the building of the Akosombo Dam. [4]
Both pandanus and coconut palm were extensively used for thatching and wall materials in Oceanic architecture. These materials were harvested, dried, and often woven into mats or shingles . [ 5 ] The leaves of the pandanus, when processed into a plaiting material, were used to create the panels in the walls and floors of houses, while the ...