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Jewel McGowan, dancer of Lindy Hop, a form of swing dance, in the 1940s and 1950s. She is known among dance aficionados as the frequent partner of dancer Dean Collins. Jewel was considered by her fellow Los Angeles dancers to be the best female swing dancer who ever lived.
Ann Miller (born Johnnie Lucille Collier; April 12, 1923 – January 22, 2004) was an American actress and dancer.She is best remembered for her work in the classical Hollywood cinema musicals of the 1940s and 1950s.
Aesha Ash (born 1977), ballet dancer; Merrill Ashley (born 1950), ballet dancer, principal dancer, New York City Ballet; Debra Austin (born 1955), principal dancer, Pennsylvania Ballet; Caroline Baldwin (born 1990), ballet dancer, principal dancer, Royal Danish Ballet; Melissa Barak (born 1979), ballerina, choreographer, Los Angeles Ballet
Eleanor Torrey Powell (November 21, 1912 – February 11, 1982) was an American dancer and actress. Best remembered for her tap dance numbers in musical films in the 1930s and 1940s, she was one of Metro-Goldwyn-Mayer's top dancing stars during the Golden Age of Hollywood.
Jewel McGowan (1921-1962) is best known as a dancer of Lindy Hop, a form of swing dance, in the 1940s and 1950s. She also danced in other, non-swing films, and with modern jazz dance pioneer Jack Cole. She is known among dance aficionados as the frequent partner of dancer Dean Collins.
The Nicholas Brothers were an entertainment act composed of brothers, Fayard (1914–2006) and Harold (1921–2000), who excelled in a variety of dance techniques, primarily between the 1930s and 1950s.
The studios closed down in the mid-1950s as new forms of dance became popular. Veloz and Yolanda did much to legitimize ballroom dance as a performance art and invented the "Cobra Tango", a dance which interpreted a fight between a snake and a tiger. A full-length ballet written by their son Guy Veloz, An American Tango, is based on their life ...
At the height of her career in the 1940s and 1950s, Dunham was renowned throughout Europe and Latin America and was widely popular in the United States. The Washington Post called her "dancer Katherine the Great." For almost 30 years she maintained the Katherine Dunham Dance Company, the only self-supported American black dance troupe at that time.