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A religious image is a work of visual art that is representational and has a religious purpose, subject or connection. All major historical religions have made some use of religious images, although their use is strictly controlled and often controversial in many religions, especially Abrahamic ones.
Religious images in Christian theology have a role within the liturgical and devotional life of adherents of certain Christian denominations. The use of religious images has often been a contentious issue in Christian history. Concern over idolatry is the driving force behind the various traditions of aniconism in Christianity.
Sauchelli, Andrea (2016). The Will to Make‐Believe: Religious Fictionalism, Religious Beliefs, and the Value of Art. Philosophy and Phenomenological Research, 93, 3. Charlene Spretnak, The Spiritual Dynamic in Modern Art : Art History Reconsidered, 1800 to the Present. Veith, Gene Edward, junior. The Gift of Art: the Place of the Arts in ...
[11] [13] Thus, for Lutherans, "the Reformation renewed rather than removed the religious image." [14] On the other hand, Christians from a Reformed background were generally iconoclastic, destroying existing religious imagery and usually only creating more in the form of book illustrations. [11]
The Crucifix, a cross with corpus, a symbol used in the Catholic Church, Lutheranism, the Eastern Orthodox Church, and Anglicanism, in contrast with some other Protestant denominations, Church of the East, and Armenian Apostolic Church, which use only a bare cross Early use of a globus cruciger on a solidus minted by Leontios (r. 695–698); on the obverse, a stepped cross in the shape of an ...
In some cases, apparent religious images have been deliberately created from natural materials as part of an artistic endeavor or investigation into the phenomenon of perceptions of religious imagery. The "Pope Tart" was a hoax apparition created by Karen Stollznow in 2005 as part of an investigation into pareidolia for The Skeptic in Australia.
Much Christian art borrowed from Imperial imagery, including Christ in Majesty, and the use of the halo as a symbol of sanctity. Late Antique Christian art replaced classical Hellenistic naturalism with a more abstract aesthetic. The primary purpose of this new style was to convey religious meaning rather than accurately render objects and people.
Christianity & Literature is a peer-reviewed literary periodical, published quarterly, on literature's encounters with Christian thought and history. The journal presupposes no particular theological orientation but respects an orthodox understanding of Christianity as a historically defined faith.