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"Meant to Live" is a single by alternative rock band Switchfoot. "Meant to Live" was released to radio on January 27, 2003. The song peaked at number five on the US Modern Rock chart and U.S. Adult Top 40 chart, number six on U.S. Top 40 radio, and number 18 on the U.S. Billboard Hot 100, becoming first entry on chart and second highest charting.
Switchfoot was founded in 1996 as Chin Up, consisting of Jon Foreman and his brother Tim along with Chad Butler on drums. After playing a few shows including the Foreman brothers' dad's megachurch North Coast Calvary Chapel in Carlsbad, California, the band was contacted by music industry veteran Charlie Peacock and eventually signed to his indie label Re:think Records under the current ...
In music, the dynamics of a piece are the variation in loudness between notes or phrases.Dynamics are indicated by specific musical notation, often in some detail.However, dynamics markings require interpretation by the performer depending on the musical context: a specific marking may correspond to a different volume between pieces or even sections of one piece.
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[9] Sal Cinquemani of Slant Magazine gave 3 out of 5 to the album, mentioning "Mandy Moore continues to prove she's one step ahead of the teen-pop pack with the stirring piano ballad "Only Hope". [10] William Ruhlmann of AllMusic wrote "The soundtrack album is anchored by her recordings. Certainly, the singer is trying to distance herself from ...
A Scientist Says Humans Were Meant to Live So Much Longer—Then the Dinosaurs Ruined It. Tim Newcomb. January 2, 2024 at 8:00 AM ... If we really do have the dinosaurs to blame for our rapid ...
Despite the name of the genre, witch house has little in common with house music, which generally features a strong up-tempo beat.Instead, witch house adapts techniques rooted in chopped and screwed hip-hop, specifically drastically slowed tempos with skipping, stop-timed beats [10] —from artists such as DJ Screw, [11] coupled with elements from other genres such as Wave music, Trap music ...
During the sixteenth century, when instruments were often tuned in meantone temperament, some harpsichords were constructed with the G ♯ and E ♭ keys split into two. One portion of the G ♯ key operated a string tuned to G ♯ and the other operated a string tuned to A ♭ , similarly one portion of the E ♭ key operated a string tuned to ...