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Impressionism was a 19th-century art movement characterized by relatively small, thin, yet visible brush strokes, open composition, emphasis on accurate depiction of light in its changing qualities (often accentuating the effects of the passage of time), ordinary subject matter, unusual visual angles, and inclusion of movement as a crucial element of human perception and experience.
The stylistic revolution known as Impressionism, by painters eager to more accurately capture the changing colors of light and shadow, is inseparable from discoveries and inventions in the mid-19th century in which the style was born.
Édouard Manet (UK: / ˈ m æ n eɪ /, US: / m æ ˈ n eɪ, m ə ˈ-/; [1] [2] French: [edwaʁ manɛ]; 23 January 1832 – 30 April 1883) was a French modernist painter. He was one of the first 19th-century artists to paint modern life, as well as a pivotal figure in the transition from Realism to Impressionism.
The École de Barbizon was a landscape and outdoor art movement which preceded Impressionism. The city is near the forest of Fontainebleau . Théodore Rousseau came to the region in 1848 and he subsequently attracted other artists.
A series of art movements in the late 19th and early 20th centuries—notably Impressionism, Post-Impressionism, Fauvism, Expressionism, Cubism, and Dadaism—challenged the Renaissance view of the world. Eastern and African painting, however, continued a long history of stylization and did not undergo an equivalent transformation at the same time.
An art movement is a tendency or style in art with a specific art philosophy or goal, followed by a group of artists during a specific period of time, (usually a few months, years or decades) or, at least, with the heyday of the movement defined within a number of years.
But with the advent of the Ashcan School in 1910, the tides of the American art world started change. [12] Impressionism in America further lost its cutting-edge status in 1913 when a historic exhibition of modern art took place at the 69th Regiment Armory building in New York City.
Most critics did not think Impression, Sunrise was one of the most notable pieces; it was briefly discussed only five times in all the reviews of the exhibition. [4] However, the reviews of the exhibition and of Monet's painting both provide insight into the development of the movement and Monet's work and development as an artist.