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The Sickness unto Death (Danish: Sygdommen til Døden) is a book written by Danish philosopher Søren Kierkegaard in 1849 under the pseudonym Anti-Climacus. A work of Christian existentialism, the book is about Kierkegaard's concept of despair, which he equates with the Christian concept of sin, which he terms "the sin of despair".
Soren Aaby Kierkegaard had Three Discourses on Imagined Occasions published on April 29, 1845, and Stages on Life's Way on April 30, 1845. Both books were divided into three sections: confession, marriage, and death—three crucial occasions in the life of each single individual.
The aesthete, according to Kierkegaard, eventually falls into despair, a psychological state (explored further in Kierkegaard's The Concept of Anxiety and The Sickness Unto Death) that results from a recognition of the limits of the aesthetic approach to life. Kierkegaard's "despair" is a somewhat analogous precursor of existential angst. The ...
Søren Aabye Kierkegaard (/ ˈ s ɒr ə n ˈ k ɪər k ə ɡ ɑːr d / SORR-ən KEER-kə-gard, US also /-ɡ ɔːr /-gor; Danish: [ˈsɶːɐn ˈɔˀˌpyˀ ˈkʰiɐ̯kəˌkɒˀ] ⓘ; [1] 5 May 1813 – 11 November 1855 [2]) was a Danish theologian, philosopher, poet, social critic, and religious author who is widely considered to be the first Christian existentialist philosopher.
Four Upbuilding Discourses (1844) is the last of the Eighteen Upbuilding Discourses published during the years 1843–1844 by Søren Kierkegaard.He published three more discourses on "crucial situations in life" (Three Discourses on Imagined Occasions) in 1845, the situations being confession, marriage, and death.
Kierkegaard stressed the value of patience in expectancy when facing life situations in these two short essays.. He says to the single individual, "You may have heard how someone who had thoughtlessly frittered away his life and never understood anything but wasted the power of his soul in vanities, how he lay on his sick bed and the frightfulness of disease encompassed him and the singularly ...
In his heartbreaking and posthumous memoir, "When Breath Becomes Air", Kalanithi explores the big questions surrounding how the prospect of death can impact what makes life worth living.
The Unscientific Postscript is but one more voluminous commentary on the main theme of all Kierkegaard’s work, the dilemma which he represented by the phrase “either-or”: either aesthetic immediacy, which includes not only the eudaemonistic search for pleasure, but also despair (the “sickness unto death”) and religious or metaphysical ...