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Consummation is allowed only on the night of the 4th day after Vivaham (marriage). [2] Whereas other kalpasutras mention it just after Griha Pravesham, which occurs next day of marriage in many areas. After Griha Pravesha and before Nishekam the couple is not allowed to talk or see each other. The bride is kept in a company of ladies up to Nisheka.
Among the Bombay East Indian Christians, the Umbracho Pani ceremony is held, a day before the wedding, in which water drawn from a well is used to bathe by the bride-to-be and groom-to-be. [12] On the wedding day, the couple meet in the presence of a priest at a church.
Also called Suhaag Raat (wedding night), It is the samskara done before the couple enters their bedroom. Nishekam means the couple's first consummation. In South India they do Nishekam on a suitable date according to astrology or jyotisha. Whereas in North India and East India they do it on the fourth day of the marriage.
One day before the wedding, the ceremony of mayian is performed at the couple's respective homes. The prospective bride or groom is seated on a wooden plank called a patri, and a red cloth is held above by four female relatives, while married women of the household and biradari, led by the mother, rub a paste of turmeric, flour and mustard oil on his or her face, arms and legs.
According to Sen, "it is traditionally recognized as a prewedding custom only in many parts of North India. Historically, the Indian wedding tradition of a sangeet ceremony was a female-only event that was organized by the ladies of the bride and groom's families to celebrate the bride a few days before the main wedding ceremony.
In such a conception, vivaha, which originally meant the wedding ceremony, but has to acquire the definition of marriage as a whole, is meant for procreation, and the establishment of a family (kutumba). After one's wedding, one is believed to have entered the second stage of life, the grihastha ashrama, performing the duties of a householder. [4]
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Suhaag Raat ((Hindi for "Wedding Night) also called Sohag Raat, is a 1948 Hindi film of Indian cinema directed by Kidar Sharma. [1] A romantic drama, it was the third film produced by Oriental Pictures [2] and the first film to be distributed by the newly-founded company Varma Films. [3]