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During the 1970s in Latin America, the 1960s music influence remained strong and two styles developed from it one that followed the European and North American trends and Nueva Canción that focused on the renewal of folklore including Andean music and cueca.
Brown-eyed soul, also referred to as Chicano soul, Hispanic soul, or Latino soul, is soul music & rhythm & blues (R&B) performed in the United States mainly by Hispanic Latinos and Chicanos in Southern California, East Los Angeles, and San Antonio (Texas) during the 1960s, continuing through to the early 1980s. [1]
The musical style emerged shortly afterwards in other areas of Latin America where it came to be known under similar names. Nueva canción renewed traditional Latin American folk music, and was soon associated with revolutionary movements, the Latin American New Left, liberation theology, hippie and human rights movements due to political lyrics.
The Chilean New Song movement was spurred by a renewed interest in Chilean traditional music and folklore in the late 1950s and early 1960s. Folk singers such as Violeta Parra and Víctor Jara traversed the regions of Chile both collecting traditional melodies and songs and seeking inspiration to create songs with social themes. These songs ...
Boogaloo or bugalú (also: shing-a-ling, Latin boogaloo, Latin R&B) is a genre of Latin music and dance which was popular in the United States in the 1960s. Boogaloo originated in New York City mainly by stateside Puerto Ricans with African American music influences.
Today, the term is typically used for artists of Hispanic and Latin American descent producing R&B and/or soul music. Latin soul heavily emphasized its Afro-Cuban rhythms and featured songs sung mainly in English. The style grew out of an attempt on the part of Latin musicians in New York City to expand the reach of their music beyond the local ...
The tropicalistas' passionate interest in the new wave of American and British psychedelic music of the period - most notably the work of the Beatles - also put them at odds with Marxist-influenced students on Brazil's left, whose aesthetic agenda was strongly nationalistic, and oriented towards 'traditional' Brazilian musical forms. This ...
And Ritchie Valens, Sunny & the Sunglows, The Sir Douglas Quintet, Cannibal & the Headhunters, The Premiers, Sam the Sham & the Pharaohs and Thee Midniters, [2] all have made music that is heavily based on 1950s R&B, even when general trends moved away from the original sound of rock as time went by. 2) The second style of 70s Chicano rock is ...