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The Nahui Ollin is a fundamental concept in Aztec/Mexica cosmology, a guide for everyday life and decisions. The objective is to constantly strive for balance, even when there is struggle. The Nahui Ollin uses cultural concepts representing community, knowledge, education, will power, transformation, and most importantly, self-reflection .
One of the most distinctive aspects of indigenous handcrafted textiles is the use of embroidery. Indigenous motifs found on garments range from geometric patterns, zig-zag, spirals, moons, crosses and stepped frets. Thin cloth belts that wrap around the waist (fajillas) are common in a number of indigenous groups and are richly embroidered.
Netotiliztli, often known as the dance of celebration and worship, was a traditional dance practiced by the Mexica people. [1] As a pre-Hispanic tradition, it was a spiritual dance, deeply associated with the worship of Aztec gods.
The dress for Aztec royalty also varied from the dress for the elites. According to scholar Patricia Rieff Anawalt, the clothing worn by the Aztec royalty was the most lavish of all the garments worn by the Aztec people. [16] Their elaborate dress was also worn in combination with embellishments of jewelry, particularly in ceremonial occasions ...
Classic Saltillo Serape, circa 1825 Traditional serapes are worn like a shawl or cloak.Its alteration into a poncho-like clothing item is more recent. The serape, sarape or jorongo is a long blanket-like shawl or cloak, often brightly colored and fringed at the ends, worn in Mexico, especially by men.
In the pre Hispanic era, the quechquemitl was worn with huipil and a wrap around skirt, generally only for special occasions and by high-ranking women. It may even have been reserved for use by goddesses and those portraying them in ritual in the Aztec era. In this era, it was particularly associated with fertility goddesses possibly due to the ...