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Within Bio Art there is a debate about whether any form of artistic engagement with the biosciences and their social consequences (e.g. in the form of images from medicine) should be viewed as part of the art movement, or whether only such works of art, that were created in the laboratory are classified as organic art.
A new gel nail extension was created circa 2017 that is commonly referred to as Gel-X, or soft gel tips. [8] It is a soft gel nail tip that is precut in differing styles and lengths which covers the whole nail bed up to the end of the nail. Gel-X are plied by first applying a PH bonder (dehydrator) followed by an acid-free gel primer.
Soft sculpture is a type of sculpture or three dimensional form that incorporates materials such as cloth, fur, foam rubber, plastic, paper, fibre or similar supple and nonrigid materials. Soft sculptures can be stuffed, sewn, draped, stapled, glued, hung, draped or woven.
Carving is one of the oldest sculptural techniques. It is a subtractive process; starting with a solid block, the sculptor removes material using chisels and other tools to 'reveal' the finished form.
Bioadhesives are natural polymeric materials that act as adhesives.The term is sometimes used more loosely to describe a glue formed synthetically from biological monomers such as sugars, or to mean a synthetic material designed to adhere to biological tissue.
The combination of cells and usually biopolymer gels are defined as a bio-ink. They must meet certain characteristics, including such as rheological, mechanical, biofunctional and biocompatibility properties, among others. Using bio-inks provides a high reproducibility and precise control over the fabricated constructs in an automated manner. [1]
A wax sculpture is a depiction made using a waxy substance. Often these are effigies , usually of a notable individual, but there are also death masks and scenes with many figures, mostly in relief .
Forensic facial reconstruction (or forensic facial approximation) is the process of recreating the face of an individual (whose identity is often not known) from their skeletal remains through an amalgamation of artistry, anthropology, osteology, and anatomy.