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These two gifts were intimately connected in Demeter's myths and mystery cults. Demeter is the giver of mystic rites and the giver of the civilized way of life (teaching the laws of agriculture). Her epithet Eleusinia relates her with the Eleusinian mysteries, however at Sparta Eleusinia had an early use, and it was probably a name rather than ...
The votive relief to Isis-Demeter is a Hellenistic marble sculpture discovered in the archaeological site of Dion in Macedonia, Greece. Made during the late third or early second century BC, it depicts the Egyptian goddess Isis with syncretic features of Demeter , the Greek goddess of agriculture and fertility.
The relief is made of Pentelic marble, and it is 2,20 m. tall, 1,52 m. wide, and 15 cm thick. [4] It depicts the three most important figures of the Eleusianian Mysteries; the goddess of agriculture and abundance Demeter, her daughter Persephone queen of the Underworld and the Eleusinian hero Triptolemus, the son of Queen Metanira, [3] [4] in what appears to be a rite. [1]
Xenophon claims that Peloponnesus was the first place Triptolemus shared Demeter's agricultural gift [5] while Pausanias claims the Rharium plane near Eleusis was the first place to be sown for crops. [6] Triptolemus is depicted as a young man with a branch or diadem placed in his hair, usually sitting on his chariot, adorned with serpents.
A votive plaque known as the Ninnion Tablet depicting elements of the Eleusinian Mysteries, discovered in the sanctuary at Eleusis (mid-4th century BC). The Eleusinian Mysteries (Greek: Ἐλευσίνια Μυστήρια, romanized: Eleusínia Mystḗria) were initiations held every year for the cult of Demeter and Persephone based at the Panhellenic Sanctuary of Eleusis in ancient Greece.
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In Greek mythology, Persephone, daughter of Demeter (goddess of the harvest), was abducted by Hades (god of the dead), and taken to the underworld as his queen. The myth goes on to describe Demeter as so distraught that no crops would grow and the "entire human race [would] have perished of cruel, biting hunger if Zeus had not been concerned" (Larousse 152).
Universal Pictures’ Dracula and several sequels and spin-offs had solidly established the idea of the sophisticated vampire—maybe even an attractive one—but it was Hammer that made vampires ...