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As Tolkien has Elrond say in "The Council of Elrond" in The Lord of the Rings, ... The American opera singer Adam C. J. Klein composed an opera, Leithian, ...
"The Council of Elrond" is the second chapter of Book 2 of J. R. R. Tolkien's bestselling fantasy work, The Lord of the Rings, which was published in 1954–1955.It is the longest chapter in that book at some 15,000 words, and critical for explaining the power and threat of the One Ring, for introducing the final members of the Company of the Ring, and for defining the planned quest to destroy it.
The "Fellowship" theme appears when the nine heroes, the Fellowship of the Ring, first come together at the Council of Elrond at Rivendell; the theme splinters when the Fellowship breaks apart, and gradually reassembles as the Fellowship makes progress with its task. [40] The symphony is edited to concert length from over 11 hours of film music ...
The music of The Lord of the Rings film series, composed by Howard Shore to accompany Peter Jackson's films, exists in multiple recordings. It was heard by cinema audiences in the "theatrical" version, also released on DVD.
The Danish Tolkien Ensemble has set all the songs in Tolkien's The Lord of the Rings to music.. The music of Middle-earth consists of the music mentioned by J. R. R. Tolkien in his Middle-earth books, the music written by other artists to accompany performances of his work, whether individual songs or adaptations of his books for theatre, film, radio, and games, and music more generally ...
Following the style of his music for The Lord of the Rings film series, Howard Shore constructed the score for The Hobbit using many strong recognisable musical themes. The musicologist Doug Adams described these as "an encyclopedic network of leitmotifs: dozens of themes that represented cultures, characters, objects, and dramatic concepts in Middle-earth."
Morgan Wallen's plan for a shiny sign on his downtown Nashville bar is nixed over his arrest for chucking a chair off the rooftop of another country star's bar.
The significantly re-written show, shortened to three hours, began previews at the Theatre Royal, Drury Lane on 9 May 2007, with its official premiere on 19 June 2007. The same creative team as the Toronto production was involved in the London production, with only four cast members reprising their roles from Toronto—James Loye (Frodo), Owen Sharpe (Pippin), Peter Howe (Sam) and Michael ...