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The original Betty Boop cartoons were made in black and white. As new color cartoons made specifically for television began to appear in the 1960s, the original black-and-white cartoons were retired. Boop's film career had a revival with the release of The Betty Boop Scandals of 1974, becoming a part of the post-1960s counterculture. NTA ...
Portrait of Boz's Juba from an 1848 London playbill. Master Juba (ca. 1825 – ca. 1852 or 1853) was an African-American dancer active in the 1840s. He was one of the first black performers in the United States to play onstage for white audiences and the only one of the era to tour with a white minstrel group.
The Udekki dance is a very prestigious performance. Its name comes from the Udekki, a small lacquered hand drum in the shape of an hourglass, about 7.5 inches (18 cm) high, believed to have been given to people by the gods. The two drum skins are believed to have been given by the god Iswara, and the sound by Visnu; the instrument is said to ...
Pages in category "African-American male dancers" The following 122 pages are in this category, out of 122 total. This list may not reflect recent changes. A.
Hand dancers at the 45th Annual Smithsonian Folklife Festival in Washington, D.C., in 2011. Hand dancing, also known as D.C. hand dancing or D.C. swing, is a form of swing dance that can be traced as far back as the 1920s, from Lindy Hop and the Jitterbug, to the 1950s when dancers in the District of Columbia developed their own variety.
Danse des petits cygnes is a dance from Tchaikovsky's Swan Lake, from the ballet's second act, the fourth movement of No. 13. Translated from French, it means "Dance of the Little Swans", also known as "Dance of the Cygnets". It is challenging because the dancers must coordinate their leg movements while holding hands.
In harmony with the Indian association of dance with apsaras, Khmer female figures that are dancing or are poised to dance are considered apsara; female figures, depicted individually or in groups, who are standing still and facing forward in the manner of temple guardians or custodians are called devatas.
The dancer wears a white cloth and white turban, beadwork decorations on his chest, a waistband, rows of beads around his neck, silver chains, brass shoulder plates, anklets, and jingles. This is a graceful dance, also performed in Maha Visnu (Vishnu) and Kataragama Devales temples on ceremonial occasions.