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He also felt the trailer played into "Marvel's ongoing reluctance to let Tom Holland's Spider-Man star in his own Spider-Man movies" since the trailer gave Parker "zero memorable moments" among all of its elements. [171] The trailer had 355.5 million global views in its first 24 hours, becoming the most viewed trailer in that time period.
Spider-Man 3 was commercially released in sixteen territories on May 1, 2007. [78] The film was released in Japan on May 1, 2007, three days prior to the American commercial release, to coincide with Japan's Golden Week. [74] Spider-Man 3 was also released in China on May 3, 2007, to circumvent market growth of unlicensed copies of the film.
In Spider-Man 2, he portrays an usher to Mary Jane's play who refuses to let Peter enter after arriving late. In Spider-Man 3, Campbell appears as a French maître d' who messes up Peter's proposal to Mary Jane. [193] In the ultimately unmade Spider-Man 4, Campbell's character would have been revealed as Quentin Beck / Mysterio. [194]
That warning from Hailee Steinfeld (Spider-Man: Across the Spider-Verse) lingers in the air with the release of the new Sinners trailer, which pulls back the curtain on writer-director Ryan ...
In the trailer, we get a good look at two new Spider-Man suits: One appropriately casual for a teenage Parker, and the other with a more traditional fit and sleek black-and-white color scheme.
An incredibly rare teaser trailer for Sam Raimi’s 2002 Spider-Man has been restored to its former glory and posted online in 4K definition.. The teaser, which features footage that doesn’t ...
The Amazing Spider-Man 3, which would have included Chris Cooper returning as Norman Osborn [163] [164] and focused on Peter recovering from Gwen's death, [165] was delayed to an unspecified date in 2018, and The Amazing Spider-Man 4 was moved to a later, unknown date, [166] before they were ultimately canceled.
Owen Gleiberman of Variety praised Holland's performance and wrote, "By the end, this Spider-Man really does find his tingle, yet coming after Into the Spider-Verse, with its swirling psychedelic imagery and identity games and trap doors of perception, Spider-Man: Far From Home touches all the bases of a conventional Marvel movie. It doesn't ...