Search results
Results From The WOW.Com Content Network
Aristotle finds that tragedy deals with serious, important, and virtuous people. Comedy, on the other hand, treats of less virtuous people and focuses on human "weaknesses and foibles". [ 15 ] Aristotle introduces here the influential tripartite division of characters : superior (βελτίονας) to the audience, inferior (χείρονας ...
Aristotle considers length or time in a distinction between the epic and tragedy: Well then, epic poetry followed in the wake of tragedy up to the point of being a (1) good-sized (2) imitation (3) in verse (4) of people who are to be taken seriously; but in its having its verse unmixed with any other and being narrative in character, there they ...
Mythos [from Ancient Greek μῦθος mûthos] is the term used by Aristotle in his Poetics (c. 335 BCE) to mean an Athenian tragedy's plot as a "representation of an action" [1] or "the arrangement of the incidents" [2] that "represents the action". [3]
In chap. 13 Aristotle was thinking only of the emotional effect of tragedy as produced by the most obvious means; he comes to see that the same effect may be produced in a finer form without their aid. It is his somewhat tardy recognition of the necessity of avoiding τὸ μιαρόν that has caused this change of view. [72]
Aristotle, in his Poetics, defines peripeteia as "a change by which the action veers round to its opposite, subject always to our rule of probability or necessity." According to Aristotle, peripeteia, along with discovery, is the most effective when it comes to drama, particularly in a tragedy.
For premium support please call: 800-290-4726 more ways to reach us
Oedipus, a figure commonly considered a tragic hero. A tragic hero (or sometimes tragic heroine if they are female) is the protagonist of a tragedy.In his Poetics, Aristotle records the descriptions of the tragic hero to the playwright and strictly defines the place that the tragic hero must play and the kind of man he must be.
The origin of the word tragedy has been a matter of discussion from ancient times. The primary source of knowledge on the question is the Poetics of Aristotle.Aristotle was able to gather first-hand documentation from theater performance in Attica, which is inaccessible to scholars today.