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Aristotle's work on aesthetics consists of the Poetics, Politics (Bk VIII), and Rhetoric. [8] The Poetics was lost to the Western world for a long time. The text was restored to the West in the Middle Ages and early Renaissance only through a Latin translation of an Arabic version written by Averroes. [9]
Drama, specifically tragedy, is explored in Aristotle's Poetics or 'Unities.' The Poetics explains both a history and a critical framework for the evaluation for tragic drama. [5] This particular work was influential during the Renaissance and the early modern European periods, however, still has had a strong influence up to the present day. [5]
Aristotle finds (in the Metaphysics) the universal elements of beauty to be order (taxis), symmetry and definiteness or determinateness (to orismenon). In the Poetics he adds another essential, namely, a certain magnitude; the object should not be too large, while clearness of perception requires that it should not be too small. [4]
The challenge to the assumption that beauty was central to art and aesthetics, thought to be original, is actually continuous with older aesthetic theory; Aristotle was the first in the Western tradition to classify "beauty" into types as in his theory of drama, and Kant made a distinction between beauty and the sublime.
The works of Aristotle, sometimes referred to by modern scholars with the Latin phrase Corpus Aristotelicum, is the collection of Aristotle's works that have survived from antiquity. According to a distinction that originates with Aristotle himself, [citation needed] his writings are divisible into two groups: the "exoteric" and the "esoteric". [1]
However, Greek and Roman philosophers such as Aristotle [8] and Plato [9] engaged in the rhetorical debate of aesthetic perception and properties as a separate branch of philosophy in defining the parameters of art and beauty. [7] Ancient aesthetics shows the origin of aesthetic debate and influences modern aesthetic definitions. [4]
In Aristotle's Poetics he likened drama narrative's and action to organic form, presenting it as “a complete whole, with its several incidents so closely connected that the transposal or withdrawal of any one of them will disjoin and dislocate the whole.” [1] The main theme of organic unity relies on a free-spirited style of writing and by ...
The neglect of aesthetic theory to consider the role of sensibility in everyday life was first pointed out by Katya Mandoki who in 1994 coined the word Prosaics [4] (drawing a distinction from Aristotle’s Poetics [5] focused on art) to denote a sub-discipline that would specifically inquire the aesthetics involved in daily activities emphasizing the styles and forms of expression in face-to ...