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Still Life with Apples and Oranges (French: Nature morte aux pommes et aux oranges) is a still-life oil painting dating from c. 1899 by the French artist Paul Cézanne.It is currently housed at the Musée d'Orsay in Paris.
This painting is a formal representation of its subject title, depicting a wooden table upon which are placed a large earthenware jug and a fruit bowl stacked with apples and oranges. To the left of the painting a curtain hangs in front of a patterned wall. A white cloth has been draped across the table with various fruits placed among its folds.
File: Henri Matisse, 1899, Still Life with Compote, Apples and Oranges, oil on canvas, 46.4 x 55.6 cm, The Cone Collection, Baltimore Museum of Art.jpg
Bridgestone Museum of Art: Still Life with Compote, Apples and Orange: 1899 Oil on canvas: 46.7 × 55.6 cm Baltimore: The Cone Collection, Baltimore Museum of Art: Still Life with Oranges II: 1899 Oil on canvas: 46.7 × 55.2 cm Saint Louis, Missouri: Mildred Lane Kemper Art Museum: Crockery on a Table: 1900 Oil on canvas: 97 × 82 cm St ...
Still Life with Apples (1872). Still-Life with Fruit (French - Nature morte aux fruits) is a series of still life paintings produced between 1871 and 1872 by Gustave Courbet, marking his return to painting after the silence forced on him by the Franco-Prussian War, the Paris Commune, imprisonment and illness.
Glass and Apples: 1879-80 31.5 x 40 cm Private collection V 339 R 424 FWN 779 Fruit bowl, Glass and Apples: 1879-80 46 x 55 cm Museum of Modern Art, New York City V 341 R 418 FWN 780 Still Life with Apples in a Bowl: 1879-80 43.5 x 54 cm Ny Carlsberg Glyptotek, Copenhagen V 342 R 419 FWN 781 Still Life with Fruit Dish, Apples and Bread: 1879-80 ...
The Basket of Apples is an oil-on-canvas painting that depicts a table holding a bottle and a basket full of apples. The canvas measures 65 cm x 80 cm and is signed "P. Cézanne" at the lower left. [2] The painting is noted for its disjointed perspective. It has been described as a balanced composition due to its unbalanced parts; the tilted ...
He visited Morocco in 1912 and again in 1913 and while painting in Tangier he made several changes to his work, including his use of black as a colour. [29] [30] [31] The effect on Matisse's art was a new boldness in the use of intense, unmodulated colour, as in L'Atelier Rouge (1911). [18]