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Byzantine silk. Shortly after the expedition there were silk factories in Constantinople, Beirut, Antioch, Tyre, and Thebes. [4] The acquired silkworms allowed the Roman Empire to have a silk monopoly in Europe. The acquisition also broke the Chinese and Persian silk monopolies. [8]
As Roman weaving techniques developed, silk yarn was used to make geometrically or freely figured damask, tabbies and tapestry. Some of these silk fabrics were extremely fine – around 50 threads or more per centimeter.
After the reign of Justinian I, the manufacture and sale of silk became an imperial monopoly, only processed in imperial factories, and sold to authorized buyers. [ 1 ] Byzantine silks are significant for their brilliant colours, use of gold thread, and intricate designs that approach the pictorial complexity of embroidery in loom -woven fabric ...
A Roman fresco from Pompeii, 1st century AD, depicting a Maenad in silk dress, Naples National Archaeological Museum; silks came from the Han dynasty of China along the Silk Road, a valuable trade commodity in the Roman empire, whereas Roman glasswares made their way to Han China via land and sea.
] The complexity and high quality of luxurious silk fabrics caused Italy to become the most important and superior manufacturer of the finest silk fabrics for all of Europe. [ citation needed ] The almost sculptural lines of the fashions during the Renaissance were paired perfectly with the exquisite beauty and elegance of brocade, damask, and ...
The stola (Classical Latin: [ˈst̪ɔ.ɫ̪a]) (pl. stolae) was the traditional garment of Roman women, corresponding to the toga that was worn by men. [1] It was also called vestis longa in Latin literary sources, [ 2 ] pointing to its length.